Jacques Loussier Trio - Ravel's Boléro (1999) CD-Rip
Artist: Jacques Loussier Trio
Title: Ravel's Boléro
Year Of Release: 1999
Label: Telarc
Genre: Classical, Jazz
Quality: FLAC (tracks+.cue,log,scans) / MP3 320 Kbps
Total Time: 51:55
Total Size: 305 / 131 mb
WebSite: Album Preview
Tracklist: Title: Ravel's Boléro
Year Of Release: 1999
Label: Telarc
Genre: Classical, Jazz
Quality: FLAC (tracks+.cue,log,scans) / MP3 320 Kbps
Total Time: 51:55
Total Size: 305 / 131 mb
WebSite: Album Preview
01. Boléro (17:16)
02. Nymphéas: I. Allegro (6:11)
03. Nymphéas: II. Andante (5:46)
04. Nymphéas: III. Vivace (5:29)
05. Nymphéas: IV. Largo (6:03)
06. Nymphéas: V. Presto (3:55)
07. Nymphéas: VI. Cantabile (3:08)
08. Nymphéas: VII. Prestissimo (4:09)
Personnel:
Jacques Loussier - piano
Benoit Dunoyer de Segonzac - bass
André Arpino – drums
As with his CD The Bach Book , Jacques Loussier is again embellishing the work of another master composer on this recent Telarc release entitled Ravel's Bolero. This CD is as much, and even more so about Loussier's own compositional abilities, for with the exception of the title cut, all songs were composed and arranged by Loussier.
As great a record as the Bach Book is, Bolero easily surpasses it on many different levels. Maybe it's the fact that Loussier and Ravel share a common heritage and nationality, or that Loussier's formative years where spent studying with Yves Nat, himself a disciple of Ravel. It's this reviewers opinion that Ravel is just more of a modern figure than Bach, and being that there is less of a gap in the lineage between Ravel and modern players like Loussier, Ravel's music is simply more accessible, leaving a lot of space for creative improvisations. Take the title cut for example, an extended line played over a pedal point. With such minimalism at work, Loussier is able to extend over and beyond the composers harmonic conception, by improvising complex lines that revolve around, and are at times intertwined with original theme.
As great a record as the Bach Book is, Bolero easily surpasses it on many different levels. Maybe it's the fact that Loussier and Ravel share a common heritage and nationality, or that Loussier's formative years where spent studying with Yves Nat, himself a disciple of Ravel. It's this reviewers opinion that Ravel is just more of a modern figure than Bach, and being that there is less of a gap in the lineage between Ravel and modern players like Loussier, Ravel's music is simply more accessible, leaving a lot of space for creative improvisations. Take the title cut for example, an extended line played over a pedal point. With such minimalism at work, Loussier is able to extend over and beyond the composers harmonic conception, by improvising complex lines that revolve around, and are at times intertwined with original theme.