Stephen Muir, Bridget Budge, Ian Buckle, Borealis - Gál: Music for Voices, Vol. 2 (2022) [Hi-Res]

      Artist: Stephen Muir, Bridget Budge, Ian Buckle, Borealis
Title: Gál: Music for Voices, Vol. 2
Year Of Release: 2022
Label: Toccata Classics
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
Total Time: 01:11:58
Total Size: 314 mb / 1.13 gb
WebSite: Album Preview
      
   
    
		TracklistTitle: Gál: Music for Voices, Vol. 2
Year Of Release: 2022
Label: Toccata Classics
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
Total Time: 01:11:58
Total Size: 314 mb / 1.13 gb
WebSite: Album Preview
01. 3 Songs to Poems by R.M. Rilke, Op. 31: No. 1, Advent
02. 3 Songs to Poems by R.M. Rilke, Op. 31: No. 2, Adagio
03. 3 Songs to Poems by R.M. Rilke, Op. 31: No. 3, St. Nepomuk
04. 3 Gesänge, Op. 37: No. 1, Der römische Brunnen
05. 3 Gesänge, Op. 37: No. 2, Am Abend
06. 3 Gesänge, Op. 37: No. 3, Wiegenlied
07. Spätlese, Op. 91: No. 1, Bruder Augustin
08. Spätlese, Op. 91: No. 2, Abendlied
09. Spätlese, Op. 91: No. 3, Nachtgesang
10. Spätlese, Op. 91: No. 4, Grabschrift
11. Spätlese, Op. 91: No. 5, Trutzlied
12. Spätlese, Op. 91: No. 6, Der faule Schäfer
13. 6 Part-Songs (Excerpts): No. 6, Her Rambling
14. 6 Part-Songs (Excerpts): No. 5, Carpe Diem
15. 3 Porträtstudien, Op. 34: No. 1, Der Fromme
16. 3 Porträtstudien, Op. 34: No. 2, Der Weise
17. 3 Porträtstudien, Op. 34: No. 3, Der Unvorsichtige
18. Songs of Youth, Op. 75: No. 1, Crabbed Age and Youth
19. Songs of Youth, Op. 75: No. 2, Love Is a Sickness
20. Songs of Youth, Op. 75: No. 3, Tell Me Where Is Fancy Bred
21. Songs of Youth, Op. 75: No. 4, Capriccio
22. Songs of Youth, Op. 75: No. 5, Epilogue
23. 3 Lyrics to Poems by Thomas Moore: No. 1, Sacred Song
24. 3 Lyrics to Poems by Thomas Moore: No. 2, Echo
25. 3 Lyrics to Poems by Thomas Moore: No. 3, Cupid's Lottery
Whether in his original home of Vienna, as a conservatoire director in Germany, or as an émigré in Edinburgh, where he became one of the mainstays of musical life, Hans Gál (1890-1987) championed choral singing as a way of directly involving people in making music: he founded and conducted a number of choirs and provided an extensive output of choral compositions.
This second album of Gál’s choral music offers a vivid cross-section of his music for chamber choir, featuring mixed voices, women’s voices and male-voice choir, both a cappella and with piano, and ranging across four decades.
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