Sarah Connolly - Heroes and Heroines: Handel Arias (2004)

Artist: Sarah Connolly, Harry Christophers
Title: Heroes and Heroines: Handel Arias
Year Of Release: 2004
Label: Coro
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:03:37
Total Size: 305 Mb
WebSite: Album Preview
Tracklist: Title: Heroes and Heroines: Handel Arias
Year Of Release: 2004
Label: Coro
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:03:37
Total Size: 305 Mb
WebSite: Album Preview
1. Handel: Alcina - Sinfonia (Act 3) 00:51
2. Handel: Alcina - Sta nell' Ircana 05:43
3. Handel: Alcina - Mi lusingha il dolce affetto 07:19
4. Handel: Solomon - Sinfonia - Arrival of the Queen of Sheba 03:01
5. Handel: Solomon - Will the sun forget to streak 06:41
6. Handel: Ariodante - Sinfonia (Act 2) 01:28
7. Handel: Ariodante - Scherza infida: Recit & Aria 12:15
8. Handel: Ariodante - Dopo notte 07:04
9. Handel: Alcina - Entrée des songes agréables 02:38
10. Handel: Alcina - Verdi prati 04:52
11. Handel: Hercules - Sinfonia (Act 2) 01:27
12. Handel: Hercules - Cease, ruler of the day: Recit & Aria 04:01
13. Handel: Hercules - Where shall I fly 06:17
Performers:
Sarah Connolly
The Symphony of Harmony and Invention
Harry Christophers
Sarah Connolly is an exemplary Handel singer.
Her recital is dominated by two roles she's performed at ENO, with arias from Alcina and Ariodante.
'Scherza infida' is an addictive mixture of vocal elegance and poignant desolation, and 'Mi lusingha' is sung with a beautiful simplicity that lacks for nothing in drama or passion.
In contrast, the extravagant coloratura in 'Dopo notte' and the robust 'Sta nell'Ircana' capture the virtuoso thrills of heroic joy. In Dejanira's 'Where shall I fly?', she reminds us that taste and subtlety have an important place even in Handel's tormented and emotionally unstable creation. She avoids contrived intensity and allows the quality of the vocal writing to speak for itself.
Harry Christophers' direction is judicious, supportive yet never intrusive. It's pleasant to hear performances that are musically sensible, dramatically sensitive, and brave enough to apply understatement.
Her recital is dominated by two roles she's performed at ENO, with arias from Alcina and Ariodante.
'Scherza infida' is an addictive mixture of vocal elegance and poignant desolation, and 'Mi lusingha' is sung with a beautiful simplicity that lacks for nothing in drama or passion.
In contrast, the extravagant coloratura in 'Dopo notte' and the robust 'Sta nell'Ircana' capture the virtuoso thrills of heroic joy. In Dejanira's 'Where shall I fly?', she reminds us that taste and subtlety have an important place even in Handel's tormented and emotionally unstable creation. She avoids contrived intensity and allows the quality of the vocal writing to speak for itself.
Harry Christophers' direction is judicious, supportive yet never intrusive. It's pleasant to hear performances that are musically sensible, dramatically sensitive, and brave enough to apply understatement.