Teo Gheorghiu - Roots (2022) [Hi-Res]

  • 09 Dec, 14:24
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Artist:
Title: Roots
Year Of Release: 2022
Label: Claves Records
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 66:13
Total Size: 185 / 994 MB
WebSite:

Tracklist:

1. First Romanian Rhapsody in A Major, Op. 11 No. 1 (13:36)
2. Allegro Barbaro, Sz.49a (2:37)
3. Romanian Folk Dances, Sz.56: I. Joc cu bâtǎ (1:14)
4. Romanian Folk Dances, Sz.56: II. Brâul (0:36)
5. Romanian Folk Dances, Sz.56: III. Pê-loc (1:02)
6. Romanian Folk Dances, Sz.56: IV. Buciumeana (1:22)
7. Romanian Folk Dances, Sz.56: V. Poargǎ româneascǎ (0:29)
8. Romanian Folk Dances, Sz.56: VI. Mǎrunţel (1:02)
9. Romanian Dance, Op. 8/a No. 1 (4:50)
10. Pictures at an Exhibition: I. Promenade [I] (1:37)
11. Pictures at an Exhibition: II. Gnomus (3:00)
12. Pictures at an Exhibition: III. [Promenade II] (0:56)
13. Pictures at an Exhibition: IV. Il Vecchio Castello (5:09)
14. Pictures at an Exhibition: V. [Promenade III] (0:30)
15. Pictures at an Exhibition: VI. Tuileries (Dispute d'enfants après jeux) (1:05)
16. Pictures at an Exhibition: VII. Bydło (3:18)
17. Pictures at an Exhibition: VIII. [Promenade IV] (0:44)
18. Pictures at an Exhibition: IX. Ballet of the Unhatched Chicks (1:10)
19. Pictures at an Exhibition: X. "Samuel" Goldenberg und "Schmuÿle" (2:30)
20. Pictures at an Exhibition: XI. Promenade [V] (1:38)
21. Pictures at an Exhibition: XII. Limoges, le marché (La grande nouvelle) (1:25)
22. Pictures at an Exhibition: XIII. Catacombæ (Sepulcrum romanum) (2:24)
23. Pictures at an Exhibition: XIV. Cum mortuis in lingua mortua (2:06)
24. Pictures at an Exhibition: XV. The Hut on Fowl's Legs (Baba-Yagá) (3:21)
25. Pictures at an Exhibition: XVI. The Great Gate of Kiev (5:01)
26. Enter the realm (Arr. by Fabian Russ) (3:40)

The opening of this album reflects my initiation to Romania and its musical landscape. It was as a teenager that I first experienced George Enescu’s «Romanian Rhapsody No. 1», at the Enescu Festival in Bucharest no less - an unforgettable whirlwind of joyous tunes arranged in perfect chaos, bouncing off a kaleidoscope of folk colours. Discovering the solo piano version by the composer himself years later, I dived straight in and realised I was missing a third hand. Enescu had squeezed almost all the parts of a symphony orchestra into the ‘reduced’ score and the challenge was to arrange it in a way to make it humanly playable on the piano. Teo Gheorghiu


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