Felipe Scagliusi - Schumann: Grande Sonate, Three Romances & Fantasie (2010)

  • 02 Jan, 07:51
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Artist:
Title: Schumann: Grande Sonate, Three Romances & Fantasie
Year Of Release: 2010
Label: Avie
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:1426
Total Size: 236 mb
WebSite:

Tracklist:

Concert sans Orchestre, op.14 [Piano Sonata no.3] (Robert Schumann)
1 Piano Sonata No. 3 - Grande Sonate, Op. 14: I. Allegro 07:57
2 Piano Sonata No. 3 - Grande Sonate, Op. 14: II. Scherzo e Trio - Vivacissimo 05:39
3 Piano Sonata No. 3 - Grande Sonate, Op. 14: III. Quasi variazioni - Andantino di Clara Wieck 07:48
4 Piano Sonata No. 3 - Grande Sonate, Op. 14: IV. Finale - Prestissimo possible 07:49
3 Romances, op. 28 (Robert Schumann)
5 Three Romances, Op. 28: I. Sehr Markiert in B-Flat Minor 03:42
6 Three Romances, Op. 28: II. Einfach in F-Sharp Major 03:46
7 Three Romances, Op. 28: III. Sehr Markiert in B Major 07:07
Fantasie in C major, Op. 17 (Robert Schumann)
8 Fantasie Op. 17 in C Major: I. Durchaus phantastisch 12:58
9 Fantasie Op. 17 in C Major: II. Mässig - Durchaus energisch 07:50
10 Fantasie Op. 17 in C Major: III. Langsam getragen - Durchweg leise zu halten 09:50

Performers:
Felipe Scagliusi (piano)

Young Brazilian pianist Felipe Scagliusi, whose mentors include the great Nelson Freire, devotes his debut recording to the poetic and passionate works of Robert Schumann.

Brazilian pianist Felipe Scagliusi makes his recording debut on Avie with an all-Schumann program that displays the 31-year-old musician’s wide-ranging interpretive prowess from poetry to passion – a perfect mirror to the composer’s romantic persona. Mentored by the great Nelson Freire, Felipe first studied in his native São Paolo, then went on to earn a Masters degree from the Manhattan School of Music and further tuition from John O’Conor in Dublin. He made his Carnegie Hall recital debut in 2005, and is now based in Paris.

The three large-scale works on this album were written in the 1830s, a period of great pianistic composing by Schumann. The 3rd Grande Sonate in f minor, Op. 14, originally conceived in 1835-56, appears here in its revised 1853 version. Inspired by a theme by a 16-year-old Clara Wieck, the future Clara Schumann, proponents of the work have included Franz Liszt and, in more recent years, Vladimir Horowitz. The work’s first public performance took place in 1862, six years after Schumann’s death, and at the piano was none other than Johannes Brahms. Another creation of 1836 was the gorgeous Fantasie in C Major, Op.17, considered by many to be the peak of perfection in the composer’s piano oeuvre. The work is dedicated Liszt, who seventeen years later repaid the gesture, dedicating his only sonata to Schumann. The Three Romances, Op. 28, work here as a triple “intermezzo” between the Sonata and Fantasia. They date from 1839, the end of Schumann’s most remarkable decade of pianistic output.