Bob Marley & The Wailers - Soul Rebels (1970) [Vinyl]
Artist: Bob Marley, Bob Marley & The Wailers
Title: Soul Rebels
Year Of Release: 1970
Label: Upsetter – TBL 126
Genre: Reggae
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks)
Total Time: 32:48
Total Size: 191 MB / 1.41 GB
WebSite: Album Preview
Tracklist:Title: Soul Rebels
Year Of Release: 1970
Label: Upsetter – TBL 126
Genre: Reggae
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks)
Total Time: 32:48
Total Size: 191 MB / 1.41 GB
WebSite: Album Preview
A1 Soul Rebel
A2 Try Me
A3 It's Alright
A4 No Sympathy
A5 My Cup
A6 Soul Almighty
B1 Rebel's Hop
B2 Corner Stone
B3 400 Years
B4 No Water
B5 Reaction
B6 My Sympathy
Review by Rick Anderson
Originally issued in 1970, Soul Rebels was the first album credited to Bob Marley & the Wailers, and it was also the band's first full-length collaboration with producer Lee "Scratch" Perry, for whom they had already recorded a string of fairly successful singles. Working with the newly configured Upsetters band, Marley and crew delivered a strange and wonderful set of early reggae that at times plays fast and loose with the already established conventions of the genre -- on "My Cup" the beat sounds inside out, while "It's Alright" sounds like a slightly Jamaicanized version of Motown soul. Other songs, such as the beautifully harmonized "Try Me," show their deep roots in rocksteady. One of the most arresting tracks on the album is the Peter Tosh sung "Four Hundred Years," on which Tosh unburdens himself of some of his typically dread pronouncements in his rich, chesty voice.
Originally issued in 1970, Soul Rebels was the first album credited to Bob Marley & the Wailers, and it was also the band's first full-length collaboration with producer Lee "Scratch" Perry, for whom they had already recorded a string of fairly successful singles. Working with the newly configured Upsetters band, Marley and crew delivered a strange and wonderful set of early reggae that at times plays fast and loose with the already established conventions of the genre -- on "My Cup" the beat sounds inside out, while "It's Alright" sounds like a slightly Jamaicanized version of Motown soul. Other songs, such as the beautifully harmonized "Try Me," show their deep roots in rocksteady. One of the most arresting tracks on the album is the Peter Tosh sung "Four Hundred Years," on which Tosh unburdens himself of some of his typically dread pronouncements in his rich, chesty voice.