Boyd Raeburn And His Orchestra - Memphis in June (2023) Hi Res
Artist: Boyd Raeburn And His Orchestra, Boyd Raeburn
Title: Memphis in June
Year Of Release: 1980/2023
Label: Hep Records
Genre: Jazz, Big Band
Quality: 320 kbps | FLAC (tracks) | 24Bit/96 kHz FLAC
Total Time: 00:44:41
Total Size: 103 mb | 193 mb | 693 mb
WebSite: Album Preview
Tracklist:Title: Memphis in June
Year Of Release: 1980/2023
Label: Hep Records
Genre: Jazz, Big Band
Quality: 320 kbps | FLAC (tracks) | 24Bit/96 kHz FLAC
Total Time: 00:44:41
Total Size: 103 mb | 193 mb | 693 mb
WebSite: Album Preview
01. Boyd Raeburn and His Orchestra - Tomsillectomy
02. Boyd Raeburn and His Orchestra - Memphis in June
03. Boyd Raeburn and His Orchestra - I Don't Care Who Knows It
04. Boyd Raeburn and His Orchestra - How Deep is the Ocean
05. Boyd Raeburn and His Orchestra - Black Night and Fog
06. Boyd Raeburn and His Orchestra - C Jam Blues
07. Boyd Raeburn and His Orchestra - Please Let Me Forget
08. Boyd Raeburn and His Orchestra - Caravan
09. Boyd Raeburn and His Orchestra - In the Still of the Night
10. Boyd Raeburn and His Orchestra - And so Would I
11. Boyd Raeburn and His Orchestra - Blue Skies
12. Boyd Raeburn and His Orchestra - Stormy Weather
13. Boyd Raeburn and His Orchestra - Sheherazade
HEP Records presents this 1980 collection of works from American jazz bandleader and bass saxophonist Boyd Raeburn and his Orchestra, entitled Memphis in June.
Raeburn's Orchestra, which was active c. 1944-1947, performed arrangements that were often comparable to those used by Woody Herman and the "progressive jazz" of Stan Kenton during the same period. The compositions arranged by George Handy were the most contemporary, utilizing dissonance somewhat in the manner of Igor Stravinsky. Johnny Richards joined in 1947, following Handy and stayed for a year writing 50 compositions.
Raeburn's Orchestra, which was active c. 1944-1947, performed arrangements that were often comparable to those used by Woody Herman and the "progressive jazz" of Stan Kenton during the same period. The compositions arranged by George Handy were the most contemporary, utilizing dissonance somewhat in the manner of Igor Stravinsky. Johnny Richards joined in 1947, following Handy and stayed for a year writing 50 compositions.
