Roy Eldridge, Dizzy Gillespie - Roy And Diz (Expanded Edition) (1994) Lossless
Artist: Roy Eldridge, Dizzy Gillespie
Title: Roy And Diz
Year Of Release: 1994
Label: Verve
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 01:15:34
Total Size: 232 Mb
WebSite: Album Preview
Tracklist: Title: Roy And Diz
Year Of Release: 1994
Label: Verve
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 01:15:34
Total Size: 232 Mb
WebSite: Album Preview
1. Sometimes I'm Happy 05:24
2. Algo Bueno (Album Version) 06:11
3. Trumpet Blues 07:55
4. Ballad Medley (Album Version) 11:18
5. Blue Moon 09:06
6. I've Found A New Baby 09:16
7. Pretty-Eyed Baby 05:33
8. I Can't Get Started 10:58
9. Limehouse Blues 09:53
Performers:
Roy Eldridge, Oscar Peterson (piano)
Herb Ellis (guitar)
Ray Brown (upright bass)
Louis Bellson (drums)
This set features two sizzling horns mingling in a decidedly frenetic dance contest. These songs hop and bounce with enduring vitality. A definite coolness exists within the searing solos of the two trumpet kings as they empty their lungs, executing mind-spinning, scale-like passages and high notes, and there's a palpable sense of competition as they take turns performing their acrobatic brass-work. They can both propel notes from their horns like nobody's business, yet their tonal and stylistic differences create two distinct elements within the music.
Bassist Ray Brown's tempos provide a cool structure for the flurries of notes the trumpets cast forth. Some of the most poetic moments from these 1954 recordings are when their collaboration intertwines them within the passages, but their supercharged blowing naturally finds a subtler ground and tact when they come together in a musical braid work that's no less affecting than their solos.
Bassist Ray Brown's tempos provide a cool structure for the flurries of notes the trumpets cast forth. Some of the most poetic moments from these 1954 recordings are when their collaboration intertwines them within the passages, but their supercharged blowing naturally finds a subtler ground and tact when they come together in a musical braid work that's no less affecting than their solos.