Vancouver Contemporary Orchestra - GATM - Prophecy EP (2023) Hi-Res
Artist: Vancouver Contemporary Orchestra, Clyde Mitchell
Title: GATM - Prophecy EP
Year Of Release: 2023
Label: Avie Records
Genre: Classical
Quality: FLAC (tracks) / FLAC 24 Bit (96 KHz / tracks)
Total Time: 18:35 min
Total Size: 94 / 328 MB
WebSite: Album Preview
Tracklist:Title: GATM - Prophecy EP
Year Of Release: 2023
Label: Avie Records
Genre: Classical
Quality: FLAC (tracks) / FLAC 24 Bit (96 KHz / tracks)
Total Time: 18:35 min
Total Size: 94 / 328 MB
WebSite: Album Preview
1. The Gospel According to Mark - Prophecy: I. John The Baptist (Edit)
2. The Gospel According to Mark - Prophecy: II. The Entry Into Jerusalem (Edit)
3. The Gospel According to Mark - Prophecy: III. Jesus Anointed (Edit)
4. The Gospel According to Mark - Prophecy: IV. The Lord's Supper (Edit)
5. The Gospel According to Mark - Prophecy: V. Gethsemane (Edit)
The Prophecy EP, excerpted from the oratorio The Gospel According to Mark, highlights movements that encapsulate the theme of the Prophecy of Christ. The first track ‘John the Baptist’ introduces the listener to the ‘prophecy motif’, which is used throughout the oratorio to delineate the miracles and acts of healing performed by Jesus. This theme has a timeless quality that speaks to something greater beyond our world through its reaching, aspiring, and yet serene qualities. It is also often employed as a harmonic foundation for other sections in the work that are related thematically in the narrative. ‘The Entry into Jerusalem’ is based on a recurring 7/8 motif. Here the motif pushes the narrative toward fulfilment of the prophecy, represented by the increased energy and celebratory feeling. ‘Jesus Anointed’ is a special moment in the oratorio, as it paints the picture of a bittersweet gift and a moment of peace. There is also an acknowledgment here that Jesus’ arrest and crucifixion are at hand, and the music provides a moment of reflection and perhaps resignation that carries into the depiction of ‘Gethsemane’. The muted ‘The Lord’s Supper’ is ceremonial in nature and rooted in a variation of the 7/8 motif heard earlier. Finally, ‘Gethsemane’ paints tension and ambiguity by alternating minor and major resolutions throughout this asymmetric hymn. An introspective movement, it contains many conflicting emotions: anguish and resignation, yet also courage and resolve. There is something incredibly moving about this text that, in my mind, encapsulates the essence of Christianity with its foretold knowledge of the road that must be taken, as well as its responsibility, sacrifice, care for others, and view outside of one’s self to see the essence of the universe. My hope is that these selections capture and elevate these nuances of emotion.