Alessandra Ammara - Chopin: 4 Ballades, Fantaisie, Barcarolle, 4 Mazurkas Op. 30 (2008)

Artist: Alessandra Ammara
Title: Chopin: 4 Ballades, Fantaisie, Barcarolle, 4 Mazurkas Op. 30
Year Of Release: 2008
Label: Arts Productions Ltd
Genre: Classical
Quality: FLAC (tracks)
Total Time: 1:11:31
Total Size: 243 MB
WebSite: Album Preview
Tracklist:Title: Chopin: 4 Ballades, Fantaisie, Barcarolle, 4 Mazurkas Op. 30
Year Of Release: 2008
Label: Arts Productions Ltd
Genre: Classical
Quality: FLAC (tracks)
Total Time: 1:11:31
Total Size: 243 MB
WebSite: Album Preview
1. Ballade No. 1, Op. 23 In G Minor (09:50)
2. Ballade No. 2, Op. 38 In a Minor (07:29)
3. Ballade No. 3, Op. 47 In a Flat Major (08:20)
4. Ballade No. 4, Op. 52 In F Minor (11:55)
5. Fataisie Op. 49 In F Minor (13:41)
6. Barcarolle Op. 60 In F Sharp Major (09:32)
7. Mazurka Op. 30, No. 1 In C Minor (01:42)
8. Mazurka Op. 30, No. 2 In F Sharp Minor (01:29)
9. Mazurka Op. 30, No. 3 In D Flat Major (03:01)
10. Mazurka Op. 30, No. 4 In C Sharp Minor (04:31)
Pianist Alessandra Ammara's premiere album on the ARTS label features an assortment of Chopin works, including the Four Ballades, the Four Mazurkas, Op. 30; the Op. 49 Fantasie; and the Op. 60 Barcarolle. Unfortunately for Ammara, it is the CD's extremely detailed and well-written liner notes that are the highlight of the album. Ammara's playing is little more than adequate. While Chopin's writing certainly benefits from a fluid musical approach with subtle changes in tempo, dynamics, and color, Ammara beats listeners over the head with entirely overdone rubato, often causing the pulse of a particular piece to come to a near-standstill. Listening to one track after another of this wears quickly on listeners as attention and interest quickly wane. Her technical abilities are also sufficient at best; middle voices sometimes become obscured or even sloppy in busy passages and there's little sense that her playing is effortless or lithe. The sound quality of her piano works against her, as well; the upper registers are not clear and precise, and the rest of the piano's range is dull and listless. With so many vastly superior alternatives for these masterpieces available, Ammara gives listeners few reasons to choose her interpretation.
Review by Mike D. Brownell
Review by Mike D. Brownell