Thelonious Monk - Genius of Modern Music, Volume 1 (2001)
Artist: Thelonious Monk
Title: Genius of Modern Music, Volume 1
Year Of Release: 2001
Label: Blue Note Records
Genre: Jazz, Bop
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 63:39
Total Size: 301 MB
WebSite: Album Preview
Tracklist:Title: Genius of Modern Music, Volume 1
Year Of Release: 2001
Label: Blue Note Records
Genre: Jazz, Bop
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 63:39
Total Size: 301 MB
WebSite: Album Preview
1. Humph
2. Evonce
3. Suburban Eyes
4. Thelonious
5. Evonce (Alternate Take)
6. Suburban Eyes (Alternate Take)
7. Nice Work If You Can Get It
8. Ruby My Dear
9. Well You Needn't
10. April In Paris
11. Off Minor
12. Introspection
13. Nice Work If You Can Get It (Alternate Take)
14. Ruby My Dear (Alternate Take)
15. Well You Needn't (Alternate Take)
16. April In Paris
17. In Walked Bud
18. Monk's Mood
19. Who Knows?
20. 'Round Midnight
21. Who Knows? (Alternate Take)
Thelonious Monk - piano
Idrees Sulieman(1-6),George Taitt(17-20) - trumpet
Danny Quebec West(1-6), Sahib Shihab(17-20) - alto sax
Billy Smith - tenor sax(1-6)
Gene Ramey(1-16), Bob Paige(17-20) - bass
Art Blakey - drums
Volume 1 of the two-volume Genius of Modern Music set comprises the first sessions Thelonious Monk recorded as a leader, on October 15 and 24 and November 21 of 1947. It's impossible to overstate the importance of these sessions. They include some of the earliest recordings of Monk compositions that would become standards, despite their angularity and technical difficulty: the strange, sideways chord progression of "Thelonious"; the bouncy and cheerful but melodically cockeyed "Well, You Needn't"; the post-bop Bud Powell tribute "In Walked Bud"; and, of course, "'Round Midnight," which is now one of the most frequently recorded jazz compositions ever. There are kinks to be worked out: Art Blakey's drumming is fine, but he obviously hasn't quite taken the measure of Monk's compositional genius, and on the November session, alto saxophonist Sahib Shihab employs a fat, warbly tone that sounds out of place. But the excitement of discovery permeates every measure, and Monk himself is in top form, his solos jagged and strange, yet utterly beautiful. This first volume of Genius of Modern Music, along with the second, belongs in every jazz collection.