Cyrille Dubois, Orchestre National de Lille & Pierre Dumoussaud - So Romantique ! (2023) [Hi-Res]

  • 08 Mar, 15:04
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Artist:
Title: So Romantique !
Year Of Release: 2023
Label: Alpha Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 68:37
Total Size: 298 MB / 1.32 GB
WebSite:

Tracklist:

1. Auber: La barcarolle, S. 38, Act II: Air. "Asile où règne le silence" (Fabio) (4:10)
2. Godard: Pedro de Zalamea, Op. 79, Act I: Romance. "Combien de fois j'ai rêvé d'elle" (Alvar) (2:44)
3. Thomas: Le roman d'Elvire, Act II: Récitatif et air. "Ah ! Vive Dieu !. . . Suprême puissance" (Gennaro) (5:26)
4. Boïeldieu: La Dame blanche, Act II: Cavatine. "Maintenant, observons… viens, gentille dame" (Georges) (7:19)
5. Halévy: Les mousquetaires de la reine, Act III: Couplets. "Enfin un jour plus doux se lève" (Olivier) (3:25)
6. Clapisson: Gibby la cornemuse, Act I: Romance du sommeil. "Rêvons qu'un plus beau jour" (Gibby) (3:42)
7. Donizetti: La fille du régiment, Act I: Cavatine. "Ah ! Mes amis, quel jour de fête !" (Tonio) (3:50)
8. Gounod: Le médecin malgré lui, CG 3, Act II: Fabliau. "Je portais dans une cage" (Léandre) (3:18)
9. Luce-Varlet: L'élève de Presbourg: Air. "De ses illusions… Viens, ô mélodie" (Haydn) (4:04)
10. Bizet: La jolie fille de Perth, GB 6, Act III: Air. "C'est donc ici… ô cruelle" (Smith) (2:37)
11. Dubois: Xavière, Act II: Air. "Au clair matin" (Landry) (3:21)
12. Silver: Myriane, Act III: Air. "Seul, ai-je dit" (Henri) (3:30)
13. Thomas: Mignon, Act II: Mélodie. "Adieu, mignon !" (Wilhelm) (3:43)
14. Delibes: Lakmé, Act I: Air. "Prendre le dessin d'un bijou… fantaisie aux divins mensonges" (Gérald) (5:29)
15. Thomas: Raymond, Act III: Cavatine. "Fils de roi… point de pitié" (Raymond) (5:49)
16. Saint-Saëns: Le timbre d'argent, Act I: Mélodie. "Humble et pauvre… demande à l'oiseau" (Bénédict) (2:12)
17. Clapisson: Le Code noir, Act III: Romance. "Non, vous n'aurez pas… Adieu, toi ma pauvre mère" (Donatien) (4:06)

‘SO Romantique!’ illustrates the ‘profoundly sentimental’ side of French opera from the 1830s to the 1900s, which gradually came to be judged overwrought and was condemned to partial oblivion. ‘I am convinced that this is because the principals of interpretation were lost’, says the tenor Cyrille Dubois. ‘I have therefore put together this programme, which gives pride of place to rarities while highlighting the theatrical character and the use of registers so emblematic of the French ténor de grâce, in the hope of restoring this precious French heritage to its former glory.’ The sleuthing skills of the Palazzetto Bru Zane have assembled these treasures by Bizet, Gounod, Saint-Saëns, Auber, Halévy, Donizetti, Thomas and Delibes, the less well-known Godard, Dubois and Silver, and the virtually unknown Luce-Varlet and Clapisson. With the Orchestre National de Lille conducted by Pierre Dumoussaud, the French tenor deploys the full range of his artistry, the impressive high notes, the luminous tone and the graceful phrasing that is ‘so Cyrille’!





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