Iceland Symphony Orchestra, Rumon Gamba - Icelandic Works for the Stage (2023) [Hi-Res]

Tracklist

01. Eldur
02. Veislan á Sólhaugum: No. 1, Forleikur
03. Veislan á Sólhaugum: No. 2, Brúðkaupsmars
04. Veislan á Sólhaugum: No. 3, Halling
05. Veislan á Sólhaugum: No. 4, Bergbúinn
06. Veislan á Sólhaugum: No. 5, Marcia funèbre
07. Úr Myndabók Jónasar Hallgrímssonar: I. Forspil
08. Úr Myndabók Jónasar Hallgrímssonar: II. Mars
09. Úr Myndabók Jónasar Hallgrímssonar: III. Menúett
10. Úr Myndabók Jónasar Hallgrímssonar: IV. þjóðlag
11. Úr Myndabók Jónasar Hallgrímssonar: V. Vikivaki I
12. Úr Myndabók Jónasar Hallgrímssonar: VI. Vikivaki II
13. Ólafur Liljurós: Dotted crotchet = c. 76
14. Ólafur Liljurós: Crotchet = c. 96
15. Ólafur Liljurós: [Crotchet = c. 96]
16. Ólafur Liljurós: [ ] -
17. Ólafur Liljurós: Crotchet = c. 88
18. Ólafur Liljurós: Crotchet = c. 144
19. Ólafur Liljurós: Crotchet = c. 60
20. Ólafur Liljurós: Crotchet = 76

Páll Ísólfsson was the first director of the Reykjavík Music School, which opened in 1930. Like other musicians, he was forced by the lack of opportunity in Iceland to study abroad but, unlike others, he was able to return and work as the Organist at Reykjavík Cathedral to support his activities as a composer. His music for the early Ibsen play The Feast at Solhaug, performed in 1943 in Norwegian on Norway’s National day, was his theatrical début. This was followed in 1945 by the more ambitious score for Úr Myndabók Jónasar Hallgrímssonar.

Jórunn Viðar started her advanced training at Ísólfsson’s conservatory, followed by studies in Berlin and then at the Juilliard School. In New York she met a fellow Icelander and dance student, Sigríður Ármann. The two of them collaborated on Eldur (Fire), which would be the first ballet for the new National Theatre in Reykjavík, presented in May 1950. Their second collaboration for the National Theatre, Ólafur Liljurós, opened in 1952 and is based on a traditional Nordic legend.

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