Elisabeth Leonskaja - Beethoven: Piano Concertos Nos 3 & 4 (2023) [Hi-Res]

Artist: Elisabeth Leonskaja
Title: Beethoven: Piano Concertos Nos 3 & 4
Year Of Release: 2023
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:12:42
Total Size: 279 MB / 1.22 GB
WebSite: Album Preview
Tracklist:Title: Beethoven: Piano Concertos Nos 3 & 4
Year Of Release: 2023
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:12:42
Total Size: 279 MB / 1.22 GB
WebSite: Album Preview
1. Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato (19:49)
2. Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto (5:03)
3. Piano Concerto No. 4 in G Major, Op. 58: III. Rondo (Vivace) (10:55)
4. Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro moderato (17:20)
5. Piano Concerto No. 3 in C Minor, Op. 37: II. Largo (10:10)
6. Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo (Allegro) (9:27)
“When I play, I am not presenting myself on the stage, but the music I am playing. It is the music that matters.”- Elisabeth Leonskaja
Elisabeth Leonskaja’s recordings of Beethoven’s Piano Concertos Nos 3 and 4, with the Orchestre National du Capitole de Toulouse under its former music director Tugan Sokhiev, have their origins in the 2017-18 concert season in Toulouse. At the time, Bachtrack designated Leonskaja as a ‘guiding spirit’ for music-making in the city. In Autumn 2022 the Observer described her as “a septuagenarian with the energy and agility of a player half her age and the wisdom of ages in her playing … Leonskaja has a radiance in her presence, yet the muscularity and vigour of her playing has the power to shock.” Just a few weeks earlier, her pre-eminence in Beethoven had been eagerly acknowledged by the Guardian, which praised her “ability to produce the most powerful sound and allow it to resonate fully … [deploying] a palette of tone-colours from gently muted to vibrant, and a similarly commanding dynamic range. Clarity of delineation and ease in every phrase allowed the structure to unfold organically … Here was innate pianism, with musical sensibilities and a daring honed by a lifetime of experience.”
Elisabeth Leonskaja’s recordings of Beethoven’s Piano Concertos Nos 3 and 4, with the Orchestre National du Capitole de Toulouse under its former music director Tugan Sokhiev, have their origins in the 2017-18 concert season in Toulouse. At the time, Bachtrack designated Leonskaja as a ‘guiding spirit’ for music-making in the city. In Autumn 2022 the Observer described her as “a septuagenarian with the energy and agility of a player half her age and the wisdom of ages in her playing … Leonskaja has a radiance in her presence, yet the muscularity and vigour of her playing has the power to shock.” Just a few weeks earlier, her pre-eminence in Beethoven had been eagerly acknowledged by the Guardian, which praised her “ability to produce the most powerful sound and allow it to resonate fully … [deploying] a palette of tone-colours from gently muted to vibrant, and a similarly commanding dynamic range. Clarity of delineation and ease in every phrase allowed the structure to unfold organically … Here was innate pianism, with musical sensibilities and a daring honed by a lifetime of experience.”