Charivari Agréable, Kah-Ming Ng - Esperar, Sentir, Morir: Songs and Dances from the Hispanic Baroque (2005)

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Artist:
Title: Esperar, Sentir, Morir: Songs and Dances from the Hispanic Baroque
Year Of Release: 2005
Label: Signum Records
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:18:37
Total Size: 352 Mb
WebSite:

Tracklist:

Esperar, sentir, morir (Juan Hidalgo)
1 Esprar, sentir, morir (Juan Hidalgo) 04:30
Quiero, y no saben que quiero (Kah-Ming Ng)
2 Quiero, y no saben que quiero (Kah-Ming Ng / Clara Sanabras) 09:06
Españoletas (Lucas Ruiz de Ribayaz)
3 Españoletas (Lucas Ruiz De Ribaz) 04:58
Corazón, Causatenéis (Sebastián Durón)
4 Corazón, Causatenéis (Sebastián Durón) 04:31
Canten dos jilguerillos (Francisco Escalada)
5 Canten dos jilguerillos (Francisco Escalada) 02:18
Solo, triste y ausente (Anonymous)
6 Solo, triste y ausente (Anonymous) 04:59
Differenzias sobre la Gayta (Anonymous)
7 Differenzias sobre la Gayta (Anonymous) 03:38
Filis yo tengo (Clemente Imana)
8 Filis yo tengo (Clemente Imaña) 03:32
Ay, mi Dios! ¿Qué fuera de mí sin vos? (Anonymous)
9 Ay, mi Dios! ¿Qué fuera de mí sin vos? (Anonymous) 03:58
Chacona (Anonymous)
10 Chacona (Anonymous / Kah-Ming Ng) 02:24
Hazo, Antón! (Barter)
11 Hazo, Antón! (Juan Barter) 08:28
San Juan de Lima (Anonymous)
12 San Juan de Lima (Anonymous) 06:43
Que se ausenta (Francisco de Santiago)
13 Que se ausenta (Francisco de Santiago) 04:25
Gilguerillo que el ayre (Francisco Valls)
14 Gilguerillo que el ayre (Francesc Valls) 07:57
Tarambote para duas charamelinhas (Anonymous)
15 Tarambote para duas charamelinhas (Anonymous) 02:38
Canarios (Kah-Ming Ng)
16 Canarios (Kah-Ming Ng) 04:32

Performers:
Clara Sanabras (soprano)
Rodrigo del Pozo (tenor)
Charivari Agreable
Kah-Ming Ng

The treasures of the Hispanic Baroque revealed through imaginative interpretations of dances, villancicos and tonos humanos from Iberia and Latin America.

Latin-American music of the Baroque era is essentially European in style but enriched with indigenous colours and infectious rhythms. …Charivari Agréable's… conviction shines through the performance, from a haunting opening duet over a sequence spiralling ever-downward, to a lively, if largely nonsensical, dialogue about building a road for the Magi at Epiphany.