The Hundred In The Hands - Love In The Black Stack (2017) Lossless
Artist: The Hundred In The Hands
Title: Love In The Black Stack
Year Of Release: 2017
Label: New Ancestors
Genre: Electronic, Indie, Pop, Synthpop, Electropop
Quality: FLAC (tracks)
Total Time: 41:18 min
Total Size: 236 MB
WebSite: Album Preview
Tracklist:Title: Love In The Black Stack
Year Of Release: 2017
Label: New Ancestors
Genre: Electronic, Indie, Pop, Synthpop, Electropop
Quality: FLAC (tracks)
Total Time: 41:18 min
Total Size: 236 MB
WebSite: Album Preview
01. Red Eyes Rising
02. Pale Moon Out
03. Psalm Slung Low
04. Felt A Love
05. Worm Moon Idyll
06. Proof Of Love
07. Settle In Close
08. On Ruins
09. Under The Long Swell
10. Wade Up
11. I Follow
The Hundred In The Hands return with their third album Love In The Black Stack; a swoony late-night soundtrack to the catastrophic present.
Eleanore Everdell and Jason Friedman began working on these intimate new songs and ambient tracks using cassettes recorded in the late ‘90’s, demos, voice-memos, field recordings and other half-forgotten ephemera collected over the years. They then went back into the studio with producers Vito Roccoforte and Gabriel Andruzzi (The Rapture, Vito and Druzzi) -- who both add their indelible stylistic synth and percussion work -- and together helped re-work the material for an album conceived as the score to a larger art installation/performance piece.
The final 11 songs yo-yo from the insular romance of “I Follow”, “Pale Moon Out” and “Felt A Love” to the jagged pulse of “Proof of Love”, “Red Eyes Rising” and cascading drive of “Wade Up”; alternately grounded in the deep searching harmonies of Eleanore’s layered vocals and the purposeful silences and slipped rhythms of the off-kilter production.
With lyrical through-lines moving from satellites and constellations “high above the earth,” through “telephones ringing in empty rooms” and unwinding under rising tides — and with themes loosely touching on gentrification, environmental collapse, and occult technological faiths — Love in the Black Stack is an attempt to find the gaps still ungoverned by these global forces and to create sense and connection from incomprehension and dislocation.
Eleanore Everdell and Jason Friedman began working on these intimate new songs and ambient tracks using cassettes recorded in the late ‘90’s, demos, voice-memos, field recordings and other half-forgotten ephemera collected over the years. They then went back into the studio with producers Vito Roccoforte and Gabriel Andruzzi (The Rapture, Vito and Druzzi) -- who both add their indelible stylistic synth and percussion work -- and together helped re-work the material for an album conceived as the score to a larger art installation/performance piece.
The final 11 songs yo-yo from the insular romance of “I Follow”, “Pale Moon Out” and “Felt A Love” to the jagged pulse of “Proof of Love”, “Red Eyes Rising” and cascading drive of “Wade Up”; alternately grounded in the deep searching harmonies of Eleanore’s layered vocals and the purposeful silences and slipped rhythms of the off-kilter production.
With lyrical through-lines moving from satellites and constellations “high above the earth,” through “telephones ringing in empty rooms” and unwinding under rising tides — and with themes loosely touching on gentrification, environmental collapse, and occult technological faiths — Love in the Black Stack is an attempt to find the gaps still ungoverned by these global forces and to create sense and connection from incomprehension and dislocation.