Mauro Righini, Elena Bertuzzi, Ugo Nastrucci, Danilo Costantini - Ariosti: 6 Lessons for Viola d'Amore and Continuo (2022) [Hi-Res]

Tracklist

01. Lesson I in E-Flat Major: I. Allegro
02. Lesson I in E-Flat Major: II. Largo
03. Lesson I in E-Flat Major: III. Andante
04. Lesson II in A Major: I. Cantabile
05. Lesson II in A Major: II. Vivace
06. Lesson II in A Major: III. Adagio
07. Lesson II in A Major: IV. Minuet
08. Lesson III in E Minor: I. Adagio
09. Lesson III in E Minor: II. Alemanda
10. Lesson III in E Minor: III. Adagio
11. Lesson III in E Minor: IV. Giga
12. Lesson IV in F Major: I. Adagio
13. Lesson IV in F Major: II. Andante
14. Lesson IV in F Major: III. Corente
15. Lesson IV in F Major: IV. Giga
16. Lesson V in E Minor: I. Vivace
17. Lesson V in E Minor: II. Largo
18. Lesson V in E Minor: III. Giga
19. Lesson VI in D Major: I. A tempo Giusto
20. Lesson VI in D Major: II. Corrente
21. Lesson VI in D Major: III. Giga
22. Lesson VI in D Major: IV. Rondeaux
23. Pur alfin gentil viola Cantata for solo Voice and Viola D'amore: I. Pur alfin gentil viola Aria
24. Pur alfin gentil viola Cantata for solo Voice and Viola D'amore: II. Non fu saggio il consiglio Recitativo
25. Pur alfin gentil viola Cantata for solo Voice and Viola D'amore: III. Beltà che col rigor Aria

The violinist, organist, composer and librettist Attilio Malachia Ariosti was born in Bologna in 1666. His career took him to Mantua and Venice, the most enlightened musical and artistic centers of northern Italy at the time, then to Berlin and finally Vienna in 1703. Expelled from the Papal State for moral reasons, by 1716 he was living in London where, together with Bononcini and Handel, he became a permanent composer of the Royal Academy.

His Six Lessons for Viola d’Amore, published in London in 1724 and dedicated to King George, were as the name implies composed expressly to teach violinists to play the viola d’amore. They are written in scordatura with a system of movable keys to indicate the different positions and fingerings of the left hand up to the fourth position.

Ariosti’s Cantata for solo voice with the Viola d’amore Pur al fin gentil Viola was probably composed around 1690.

The viola d’amore has six or seven strings and (almost always) the same number of resonance strings placed under the bridge, which strongly characterize its timbre. Tunings were variable and, although from the second half of the 18th century the tuning in D became standard, it is not always straightforward to know which to use. For this reason, viola d’amore parts are written in scordatura, a sort of tablature in which the written note indicates the finger position according to standard tuning, but not the sounding pitch on a ‘detuned’
string. This fascinating and somewhat mysterious instrument is played by both violinists and violists; for violists in particular it offers access to a new, though unfortunately not very vast, repertoire, with works by Biber, Bach, Ariosti and Vivaldi, and more recently Hindemith, Martin, Ghedini and many others.
Attilio Malachia Ariosti (1666-1730) was born in Bologna, Italy. Violinist, organist, composer and librettist. He took vows at the order of the Serviti as Frate Ottavio in 1688 and was appointed organist in the church of S. Maria dei Servi in Bologna in 1693. He travelled to Mantua and Venice, the most enlightened musical and artistic centers of northern Italy and then moved to Berlin and lately to Vienna in 1703.
Expelled from the Papal State for moral reasons, in 1716 he lived in London where, together with Bononcini and Handel, he became a permanent composer of the Royal Academy. At the King's Theater he played with the viola d'amore in the intervals between the acts, "... a new symphony composed by the famous Mr. Attilio Ariosti in which he will play a new instrument called viola d'amore".
The Six Lessons for Viola d'Amore, published in London in 1724 and dedicated to King George, are harmonically and melodically very appealing and were composed expressly to teach violinists to play the viola d'amore. The viola d’amore has six or seven strings and the same number of resonance strings placed under the bridge, that strongly characterize its timbre.
Beautifully performed by Mauro Righini (viola d’amore), Ugo Nastrucci (theorbo), Danilo Costantini (organ & harpsichord) and Elena Bertuzzi (soprano), who sings in a Cantata for solo voice, viola d’amore and b.c.

Bilingual booklet in English and Italian contains notes on the composer and his works, as well as biographies of the artists Mauro Righini plays an 18th-century anonymous Bohemian viola d’amore with a bow by Nicolas Léonard Tourte.

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