Joachim Carr - Numinosum: Works by Bach-Busoni, Liszt, Franck & Messiaen (2023) [Hi-Res]

Artist: Joachim Carr
Title: Numinosum: Works by Bach-Busoni, Liszt, Franck & Messiaen
Year Of Release: 2023
Label: Claves Records
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 66:11
Total Size: 178 / 993 MB
WebSite: Album Preview
Tracklist:Title: Numinosum: Works by Bach-Busoni, Liszt, Franck & Messiaen
Year Of Release: 2023
Label: Claves Records
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 66:11
Total Size: 178 / 993 MB
WebSite: Album Preview
1. Chorale Preludes: Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (Transcr. by Ferruccio Busoni, BV B 27) (3:46)
2. Deux légendes, S. 175: I. St. François d'Assise: la prédication aux oiseaux (10:42)
3. Chorale Preludes : Nun komm’ der Heiden Heiland, BWV 659 (Transcr. by Ferruccio Busoni, BV B 27) (5:07)
4. Vingt Regards sur l'Enfant Jésus: V. Regard du Fils sur le Fils (8:39)
5. Chorale Preludes: Wachet auf, ruft uns die Stimme, BWV 645 (Transcr. by Ferruccio Busoni, BV B 27) (3:04)
6. Deux légendes, S. 175: II. St. François de Paule marchant sur les flots (7:54)
7. Chorale Preludes: Komm, Gott Schöpfer, Heiliger Geist, BWV 667 (Transcr. by Ferruccio Busoni, BV B 27) (2:05)
8. Vingt Regards sur l'Enfant Jésus: XIV. Regard des Anges (5:26)
9. Prelude, choral et fugue, FWV 21: I. Prelude. Moderato (5:04)
10. Prelude, choral et fugue, FWV 21: II. Choral. Poco più lento - Poco allegro (6:48)
11. Prelude, choral et fugue, FWV 21: III. Fugue. Tempo I° (7:45)
Music by composers bound up with religious attitude towards the world This album features works by composers for whom the conception and creation of music was intimately bound up with a religious attitude towards the world. Before the birth of aesthetics in the 18th century, the symbolic or “external” meanings of music resided in the music itself; neither its expressiveness nor its purpose as an integral part of social and religious rituals were separated from a larger context of moral and spiritual considerations. In this sense, although their tonal languages and forms differ greatly, later composers such as Liszt, Franck and Messiaen followed the spirit of Bach, reflectin g a musical philosophy in which musical means and theological ends were deeply intertwined, if not one and the same