Dizzy Gillespie and Oscar Peterson - All that Jazz, Vol. 150: Bebop meets Blues - A Jazz Summit on 78 rpm (2023) [Hi-Res]

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Title: All that Jazz, Vol. 150: Bebop meets Blues - A Jazz Summit on 78 rpm
Year Of Release: 2023
Label: Jube Legends
Genre: Jazz
Quality: FLAC (tracks) 24/48, FLAC (tracks)
Total Time: 00:59:04
Total Size: 351 / 177 MB
WebSite:

Tracklist:

01 - Night in Tunisia - Dizzy Gillespie 03:02
02 - Jumpin' with Symphony Sid - Oscar Peterson 02:56
03 - Cubana be - Dizzy Gillespie 02:37
04 - Cubana bop - Dizzy Gillespie 03:10
05 - Honeydripper - Oscar Peterson 03:07
06 - Oop Bob'Sh Bam - Dizzy Gillespie 02:59
07 - Oscar's Blues - Oscar Peterson 03:11
08 - Ol' Man Bebop - Dizzy Gillespie 02:41
09 - Babes in Arms: Where or when - Oscar Peterson 03:25
10 - Anthropology - Dizzy Gillespie 02:36
11 - The Sheik of Araby - Oscar Peterson 02:56
12 - 52nd Street Theme - Dizzy Gillespie 03:02
13 - Angel Eyes - Oscar Peterson 02:54
14 - Get Happy - Oscar Peterson 02:28
15 - Things to come - Dizzy Gillespie 02:43
16 - Willow weep for me - Oscar Peterson 03:16
17 - One Bass Hit - Dizzy Gillespie 02:51
18 - One Bass Hit No. 2 - Dizzy Gillespie 02:55
19 - Jubilee: Just one of those things - Oscar Peterson 03:00
20 - Unforgettable - Oscar Peterson 03:15

Oscar Emmanuel Peterson CC CQ OOnt (August 15, 1925 – December 23, 2007) was a Canadian jazz pianist and composer. Considered a virtuoso and one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won eight Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the “Maharaja of the keyboard” by Duke Ellington, simply “O.P.” by his friends, and informally in the jazz community, “the King of inside swing”.
John Birks “Dizzy” Gillespie (/ɡɪˈlɛspi/ ghil-ESP-ee; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop’s most prominent symbols.