Barclay James Harvest - Once Again (2023) {Blu-ray}
Artist: Barclay James Harvest
Title: Once Again
Year Of Release: 1971
Label: Esoteric Recordings – PECLEC 42822
Genre: Prog Rock
Quality: 24bit-96kHz FLAC (tracks)
Total Time: 62:00
Total Size: 811 MB / 1.21 GB
WebSite: Album Preview
Tracklist:Title: Once Again
Year Of Release: 1971
Label: Esoteric Recordings – PECLEC 42822
Genre: Prog Rock
Quality: 24bit-96kHz FLAC (tracks)
Total Time: 62:00
Total Size: 811 MB / 1.21 GB
WebSite: Album Preview
2022 Remix
1. She Said (10:01)
2. Happy Old World (4:40)
3. Song for Dying (6:50)
4. Galadriel (3:12)
5. Mocking Bird (6:53)
6. Vanessa Simmons (3:48)
7. Ball and Chain (4:51)
8. Lady Loves (4:20)
9. Too Much on Your Plate (5:39)
10. White Sails (A Seascape) (11:52)
Original Mix
1. She Said (8:22)
2. Happy Old World (4:40)
3. Song for Dying (5:02)
4. Galadriel (3:14)
5. Mocking Bird (6:39)
6. Vanessa Simmons (3:46)
7. Ball and Chain (4:49)
8. Lady Loves (3:54)
The High Resolution 96 KHZ/24-BIT 1971 Stereo Mix & 1973 Quadrophonic Mix
1. She Said (8:23)
2. Happy Old World (4:40)
3. Song for Dying (4:47)
4. Galadriel (3:18)
5. Mocking Bird (6:41)
6. Vanessa Simmons (3:47)
7. Ball and Chain (4:49)
8. Lady Loves (3:58)
Blu Ray - The New 5.1 Surround Sound & Stereo Mix
1. She Said (10:01)
2. Happy Old World (4:40)
3. Song for Dying (6:50)
4. Galadriel (3:12)
5. Mocking Bird (6:53)
6. Vanessa Simmons (3:48)
7. Ball and Chain (4:51)
8. Lady Loves (4:20)
9. Too Much on Your Plate (5:39)
10. White Sails (A Seascape) (11:52)
Review by Paul Collins
The band's follow-up still finds it working very much in the vein of orchestral rock, largely driven by Stewart Wooly Wolstenholme's keyboards and the presence of the London Symphony Orchestra. The reach of the music exceeds the grasp of the lyrics, though -- they lack the cold oracularity of Peter Sinfield or the allusive cleverness of Peter Gabriel. Still, there's some fine compositions here. "She Said" turns upon a keening opening Mellotron riff to develop into a slow-four dirge. "Song for Dying" shows off the band's fine ability at vocal harmonies, while the later concert standard, "Mocking Bird," shows a dramatic evolution from pensive acoustic guitar to a full-blown orchestral attack.
The band's follow-up still finds it working very much in the vein of orchestral rock, largely driven by Stewart Wooly Wolstenholme's keyboards and the presence of the London Symphony Orchestra. The reach of the music exceeds the grasp of the lyrics, though -- they lack the cold oracularity of Peter Sinfield or the allusive cleverness of Peter Gabriel. Still, there's some fine compositions here. "She Said" turns upon a keening opening Mellotron riff to develop into a slow-four dirge. "Song for Dying" shows off the band's fine ability at vocal harmonies, while the later concert standard, "Mocking Bird," shows a dramatic evolution from pensive acoustic guitar to a full-blown orchestral attack.
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