The Muffins With Marshall Allen & Knoel Scott - Loveletter #2 "The Ra Sessions" (2005)
Artist: The Muffins, Marshall Allen, Knoel Scott
Title: Loveletter #2 "The Ra Sessions"
Year Of Release: 2005
Label: Hobart Films & Records
Genre: Jazz Rock, Prog Rock, Canterbury Scene
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 38:50
Total Size: 145/332 Mb (scans)
WebSite: Album Preview
Tracklist:Title: Loveletter #2 "The Ra Sessions"
Year Of Release: 2005
Label: Hobart Films & Records
Genre: Jazz Rock, Prog Rock, Canterbury Scene
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 38:50
Total Size: 145/332 Mb (scans)
WebSite: Album Preview
1. In This World 4:41
2. Happy Now? 6:38
3. Monsta 2:42
4. Chickenhead 11:14
5. Dog Park 5:07
6. Smooth Joe 2:54
7. Dr. Mid-Nite 5:35
Dave Newhouse / Bass Clarinet, Soprano, Baritone & Tenor Saxophone, Organ, Grand Piano, Percussion
Thomas Scott / Alto & Soprano Saxophone, Flute, Clarinet, Percussion
Paul Sears / Drums, Guitar, Trombone, Percussion
Billy Swann / Bass, Guitar, Percussion
Additional Personnel:
Marshall Allen / Alto Saxophone
Knoel Scott / Alto Saxophone
Loveletter #2 is a companion piece to the Muffins' excellent Double Negative, as it came from the same sessions, but it's also something of a different beast altogether. Double Negative featured predominantly new compositions by Tom Scott and Dave Newhouse, performed with a number of guest musicians, notably Marshall Allen and Knoel Scott from the Sun Ra Arkestra on three tracks. Loveletter #2 is entirely improvised (a first for the Muffins) and features Allen and Scott on the entire thing. There's a common misconception that entirely improvised music is the equivalent of free jazz, but that's just not the case. Improvised music can be melodic and structured and even get your feet tapping, and that's the rule of the day here. The performances are loose, but not free. In fact, there's a note stating "Structures were initiated by the Muffins," but the only piece that really sounds as though it was worked out in advance is "Smooth Joe" because of the unison horn work. You can hear the pieces being built from the ground up. Someone initiates a rhythmic or melodic idea, and the other players pick up on it and elaborate, then send it into new territory. There are tons of great, riffing horn work throughout. As players and listeners, these guys really know when to work a riff and when it's time to move on to something new, so there's always a definite forward momentum to all the pieces. There's also a pervasive playfulness on Loveletter #2 that might not normally be associated with improvised music. You've got to admire a band that tries something new after more than 25 years of existence, but Loveletter #2 is a good listen, too.