La Néréide, Camille Allérat, Julie Roset, Ana Vieira Leite - Luzzaschi: Il concerto segreto (2023) [Hi-Res]
Artist: La Néréide, Camille Allérat, Julie Roset, Ana Vieira Leite
Title: Luzzaschi: Il concerto segreto
Year Of Release: 2023
Label: Ricercar
Genre: Classical
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 59:09
Total Size: 274 MB / 1.80 GB
WebSite: Album Preview
Tracklist:Title: Luzzaschi: Il concerto segreto
Year Of Release: 2023
Label: Ricercar
Genre: Classical
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 59:09
Total Size: 274 MB / 1.80 GB
WebSite: Album Preview
1. Luzzaschi: 12 madrigali per cantare e sonare: No. 10, T’amo mia vita (2:36)
2. Luzzaschi: 12 Madrigali per cantare e sonare: No. 8, O dolcezze amarissime d'Amore (4:27)
3. Luzzaschi: 12 Madrigali per cantare e sonare: No. 4, Stral pugente d'Amore (2:46)
4. Luzzaschi: 12 Madrigali per cantare e sonare: No. 1, Aura soave (3:15)
5. Monteverdi: Madrigali e canzonette a due, e tre, voci: No. 10, Come dolce hoggi l’auretta, SV 173 (3:17)
6. Caccini: La liberazzione di Ruggiero dall'isola di Alicina: Le tre sirene (3:16)
7. Luzzaschi: 12 Madrigali per cantare e sonare: No. 5, Deh vieni ormai cor moi (3:54)
8. Luzzaschi: 12 Madrigali per cantare e sonare: No. 9, Troppo ben può (3:51)
9. Luzzaschi: 12 Madrigali per cantare e sonare: No. 6, Cor mio deh non languire (3:42)
10. Luzzaschi: 12 Madrigali per cantare e sonare: No. 3, Ch’io non t’ami cor moi (3:14)
11. Luzzaschi: 12 Madrigali per cantare e sonare: No. 11, Non sa che sia dolore (2:26)
12. Marenzio: La Pellegrina: Belle ne fe' natura (1:43)
13. Luzzaschi: 12 Madrigali per cantare e sonare: No. 2, O Primavera (3:39)
14. Caccini: La liberazzione di Ruggiero dall'isola di Alicina: Le tre damigelle (5:09)
15. Luzzaschi: 12 Madrigali per cantare e sonare: No. 7, Io mi son giovinetta (3:34)
16. Luzzaschi: 12 Madrigali per cantare e sonare: No. 12, Occhi del pianto moi (3:03)
17. Caccini: La liberazzione di Ruggiero dall'isola di Alicina: Coro delle piante incantate (5:24)
An exceptional amount of musical activity took place in the court of Ferrara during the latter years of the 16th century, in particular thanks to a remarkable trio of female voices who had been trained by Luzzasco Luzzaschi, the court's maestro di cappella. To hear them was a privilege that Alfonso d' Este allowed his guests only briefly and infrequently. Their repertoire was kept secret and was finally published -- and then only in part -- in 1601. The singers of La Nereide here devote their first recording to this collection in its entirety, reconstructing the conditions in which these works were created with harpsichord, viol and lute accompaniment: the harpsichord would have been played by Luzzaschi himself, whilst the three singers mastered the other instruments with as much skill as their voices.
