Bugallo-Williams Piano Duo - Stravinsky in Black and White (2023)

14 Sep, 18:39
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Artist: Bugallo-Williams Piano Duo
Title: Stravinsky in Black and White
Year Of Release: 2023
Label: Wergo
Genre: Classical
Quality: FLAC (tracks)
Total Time: 73:59 min
Total Size: 226 MB
WebSite: Album Preview

Tracklist:

01. Le Sacre du printemps, Première Partie – L’adoration de la terre (Arr. for Piano four-hands by Igor Stravinsky): I. Introduction
02. Le Sacre du printemps, Première Partie – L’adoration de la terre (Arr. for Piano four-hands by Igor Stravinsky): II: Les augures p
03. Le Sacre du printemps, Première Partie – L’adoration de la terre (Arr. for Piano four-hands by Igor Stravinsky): III. Jeu du rapt
04. Le Sacre du printemps, Première Partie – L’adoration de la terre (Arr. for Piano four-hands by Igor Stravinsky): IV. Rondes printa
05. Le Sacre du printemps, Première Partie – L’adoration de la terre (Arr. for Piano four-hands by Igor Stravinsky): V. Jeux des cités
06. Le Sacre du printemps, Première Partie – L’adoration de la terre (Arr. for Piano four-hands by Igor Stravinsky): VI. Cortège du sa
07. Le Sacre du printemps, Première Partie – L’adoration de la terre (Arr. for Piano four-hands by Igor Stravinsky): VII. Le sage
08. Le Sacre du printemps, Première Partie – L’adoration de la terre (Arr. for Piano four-hands by Igor Stravinsky): VIII. Danse de la
09. Le Sacre du printemps, Seconde Partie – Le Sacrifice (Arr. for Piano four-hands by Igor Stravinsky): IX. Introduction
10. Le Sacre du printemps, Seconde Partie – Le Sacrifice (Arr. for Piano four-hands by Igor Stravinsky): X. Cercles mystérieux des ado
11. Le Sacre du printemps, Seconde Partie – Le Sacrifice (Arr. for Piano four-hands by Igor Stravinsky): XI. Glorification de l'élue
12. Le Sacre du printemps, Seconde Partie – Le Sacrifice (Arr. for Piano four-hands by Igor Stravinsky): XII. Evocation des ancêtres
13. Le Sacre du printemps, Seconde Partie – Le Sacrifice (Arr. for Piano four-hands by Igor Stravinsky): XIII. Action rituelle des anc
14. Le Sacre du printemps, Seconde Partie – Le Sacrifice (Arr. for Piano four-hands by Igor Stravinsky): XIV. Danse sacrale (L'élue)
15. Three Pieces for String Quartet (Arr. for Piano four-hands by Igor Stravinsky): I
16. Three Pieces for String Quartet (Arr. for Piano four-hands by Igor Stravinsky): II
17. Three Pieces for String Quartet (Arr. for Piano four-hands by Igor Stravinsky): III
18. Concerto en mi bémol "Dumbarton Oaks" (Arr. for two Pianos by Igor Stravinsky): I. Tempo giusto
19. Concerto en mi bémol "Dumbarton Oaks" (Arr. for two Pianos by Igor Stravinsky): II. Allegretto
20. Concerto en mi bémol "Dumbarton Oaks" (Arr. for two Pianos by Igor Stravinsky): III. Con moto
21. Septet (Arr. for two Pianos by Igor Stravinsky): I
22. Septet (Arr. for two Pianos by Igor Stravinsky): II
23. Septet (Arr. for two Pianos by Igor Stravinsky): III
24. Movements (Arr. for two Pianos by Igor Stravinsky): I
25. Movements (Arr. for two Pianos by Igor Stravinsky): II
26. Movements (Arr. for two Pianos by Igor Stravinsky): III
27. Movements (Arr. for two Pianos by Igor Stravinsky): IV
28. Movements (Arr. for two Pianos by Igor Stravinsky): V
29. Tanz

When putting together the album Stravinsky in Black and White, the piano duo of Helena Bugallo and Amy Williams, smart musicians that they are, carefully examined the other versions of these pieces. As is pointed out in the notes, not only did Stravinsky publish many of his pieces in piano duo or duet reduction -- implying that a keyboard version was an afterthought -- he frequently began his compositional and orchestration process at the piano, usually with a second pianist to help fill out the sound. Bugallo and Williams looked at what instruments Stravinsky used in his final versions, not necessarily to imitate the sound of the other instruments but to borrow articulations and gestures to make the piano version more dimensional. They start with the piano, four-hand version of The Rite of Spring, a favorite of piano duos, playing it as written, on one keyboard (Stravinsky had suggested that it be played at two pianos, and that is how it is frequently done). Bugallo and Williams emphasize the percussive nature of the music, with sharpness and energy, realizing that the downfall of this version of Rite, despite its popularity, is that it just doesn't come across as well as the orchestral version with its many different timbres. The two, however, also manage to create more contrasting moods between the sections of the ballet than most other performers do, giving it more of the picturesque narrative that is hard to imagine without seeing the dancers. From there, Bugallo and Williams dive into virtually unexplored regions of Stravinsky's piano "reductions," plus a very brief dance specifically for piano duet. (The last -- given no mention in the notes -- dates from the same time as The Rite of Spring and sounds like it.) These other pieces are more successful than Rite as works in themselves mainly because they are much smaller in scope. The Three Pieces, originally for string quartet, also are more percussive in this version, especially because there isn't a good piano equivalent of that smearing of notes that string players get by sliding their left hand up the string as they bow. Bugallo and Williams bring out a meditative quality in the Septet, even in the faster, outer sections, and a hint of insouciance in the otherwise Baroquely dry Dumbarton Oaks. The two have a knack for adding contrast in character by knowing when to alter their touch and attack in works that might otherwise be treated purely percussively, which adds to the appeal of these piano versions. This latter half of the disc is what will truly interest fans of Stravinsky and of piano duet music.

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Bugallo-Williams Piano Duo - Stravinsky in Black and White (2023) FLAC - 226.2 MB