The United States Of America - The United States Of America (1968) LP
Artist: The United States Of America
Title: The United States Of America
Year Of Release: 1968
Label: Columbia
Genre: Psychedelic Rock, Experimental Rock
Quality: Flac (tracks, 24/96)
Total Time: 36:54
Total Size: 736 Mb (cover)
WebSite: Album Preview
Tracklist:Title: The United States Of America
Year Of Release: 1968
Label: Columbia
Genre: Psychedelic Rock, Experimental Rock
Quality: Flac (tracks, 24/96)
Total Time: 36:54
Total Size: 736 Mb (cover)
WebSite: Album Preview
A1. The American Metaphysical Circus 4:55
A2. Hard Coming Love 4:46
A3. Cloud Song 3:07
A4. The Garden Of Earthly Delights 2:39
A5. I Won't Leave My Wooden Wife For You, Sugar 3:53
B1. Where Is Yesterday 3:07
B2. Coming Down / Love Song For The Dead Ché 6:01
B3. Stranded In Time 1:49
B4. The American Way Of Love 6:37
Line-up:
Joseph Byrd – Eectric Harpsichord, Organ, Calliope, Piano
Dorothy Moskowitz – Lead Vocals
Gordon Marron – Electric Violin, Ring Modulator
Rand Forbes – Electric Bass
Craig Woodson – Electric Drums, Percussion
Guest Musician:
Ed Bogas – Occasional Organ, Piano, Valliope
The United States of America was an American experimental rock band founded in Los Angeles in 1967 by composer Joseph Byrd and vocalist Dorothy Moskowitz, with electric violinist Gordon Marron, bassist Rand Forbes and drummer Craig Woodson. Their 1968 self-titled album, often cited as an early showcase for the use of electronic devices in rock music, was met with critical acclaim and minor chart success. They disbanded shortly after its release.
The group’s sound was grounded in both psychedelia and the avant-garde. Unusually, the band had no guitar player; instead, they used strings, keyboards and electronics, including primitive synthesizers, and various audio processors, including the ring modulator. Many of the songs' lyrics reflected Byrd's leftist political views. AllMusic described them as "among the most revolutionary bands of the late '60s
The group’s sound was grounded in both psychedelia and the avant-garde. Unusually, the band had no guitar player; instead, they used strings, keyboards and electronics, including primitive synthesizers, and various audio processors, including the ring modulator. Many of the songs' lyrics reflected Byrd's leftist political views. AllMusic described them as "among the most revolutionary bands of the late '60s