Elisabeth Watts - Mitchell, Madeleine: Violin Songs (2006)

28 Nov, 05:45
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Artist: Elisabeth Watts, Andrew Ball, Madeleine Mitchell
Title: Mitchell, Madeleine: Violin Songs
Year Of Release: 2006
Label: Divine Art
Genre: Classical
Quality: FLAC (tracks) | Mp3 / 320kbps
Total Time: 01:16:49
Total Size: 318 MB | 176 MB
WebSite: Album Preview

Tracklist
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01. Andrew Ball - Salut d'amour, Op. 12, "Liebesgruss"
02. Madeleine Mitchell - 7 Fruhe Lieder: No. 3. Die Nachtigall (arr. M. Mitchell)
03. Andrew Ball - Melodie (version for violin and piano)
04. Andrew Ball - 2 Pieces: No. 1. Nocturne: Lento moderato
05. Madeleine Mitchell - No. 1. Andante
06. Madeleine Mitchell - No. 2. Lento ma non troppo
07. Madeleine Mitchell - No. 3. Animato, ma non allegro
08. Madeleine Mitchell - No. 4. Allegretto leggero e scherzando
09. Madeleine Mitchell - No. 5. Andante non troppo
10. Madeleine Mitchell - Morceau Caracteristique
11. Andrew Ball - Thais, Act II: Meditation (arr. M. P. Marsick)
12. Madeleine Mitchell - Chanson de Matin, Op. 15, No. 2
13. Andrew Ball - Amaryllis
14. Andrew Ball - Romanze
15. Madeleine Mitchell - Nocturne
16. Madeleine Mitchell - 4 Short Pieces: No. 2. Spring Song (version for violin and piano)
17. Madeleine Mitchell - Fiancailles pour rire: No. 5. Violon (arr. M. Mitchell)
18. Andrew Ball - Berceuse sur le nom de Gabriel Faure
19. Madeleine Mitchell - Ellen's Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne an die Jungfrau" (arr. J. Palaschko)
20. Andrew Ball - Moto perpetuo
21. Andrew Ball - Chanson de Nuit, Op. 15, No.1
22. Madeleine Mitchell - Berceuse (version for violin and piano)
23. Madeleine Mitchell - 4 Lieder, Op. 27, TrV 170: No. 4. Morgen

Dessert is nice. Some people with a rather large sweet tooth might even enjoy a big dessert after every meal. But even those with a penchant for sweets cannot live on a steady diet of it. Violin Songs by violinist Madeleine Mitchell is just that: a constant flow of high-fructose corn syrup. There's nothing wrong with any of the works on her program by themselves. Many of them, in fact, are completely beautiful, soulful compositions. But putting them all together like this is a bit much, and even the most dedicated listener will have a difficult time maintaining an interest and attention from beginning to end. Adding to this is Mitchell's constant use of glissandos, overdone interpretations, and immeasurably wide vibrato and the result is an album that is at best suitable for background music. The most worthwhile component is actually a set of comprehensive and informative liner notes, providing an abundance of information about these short works that is often hard to come by. Too bad most people don't buy a CD just for the liner notes.© TiVo

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