Claudio Monteverdi, Roberto Gini, Ensemble Concerto - Claudio Monteverdi: Lamento Di Arianna E Altre Musiche A Voce Sola - Vol. 1 (2023) [Hi-Res]
Artist: Claudio Monteverdi, Roberto Gini, Ensemble Concerto
Title: Claudio Monteverdi: Lamento Di Arianna E Altre Musiche A Voce Sola - Vol. 1
Year Of Release: 2023
Label: Aulicus Classics
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
Total Time: 01:06:32
Total Size: 380 / 668 mb
WebSite: Album Preview
TracklistTitle: Claudio Monteverdi: Lamento Di Arianna E Altre Musiche A Voce Sola - Vol. 1
Year Of Release: 2023
Label: Aulicus Classics
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
Total Time: 01:06:32
Total Size: 380 / 668 mb
WebSite: Album Preview
01. Lamento di Arianna, SV 22
02. Tempro la cetra, SV 117 (v, str)
03. Se i languidi miei sguardi SV 141: Lettera Amorosa
04. Se pur destina, SV 142 (v, bc): Partenza Amorosa
05. Ballo del Monte Verde - Seconda parte del retroscritto Ballo in Gagliarda
06. Ohimè Ch'io Cado, SV 316
07. La mia turca, del Medesmo, SV 310
08. Sì Dolce è il Tormento, SV 332
09. Ahi Che Morir Mi Sento
10. Ama Pur Ninfa Gradita
Two of the major works that made Claudio Monteverdi the innovator of the musical world of his time were concentrated between 1607 and 1608 in Mantua: Orfeo, Favola in musica in 5 acts (24th February 1607, libretto by Alessandro Striggio Jr.) and Arianna, Tragedia in a single act (28th May 1608, libretto by Ottavio Rinuccini).
The disappearance of any of Arianna's scores remains an unsolved mystery. We do not know what the musical style of the opera was, but from Rinuccini's libretto, we can guess that it was a development of the Florentine model of the Musiche di Iacopo Peri [...] sopra l'Euridice del signor Ottavio Rinuccini (Florence, 6th October 1600).
The libretto, from the opening in which Venus and Cupid converse with each other, leads back to the style of the Ballo delle Ingrate, staged the week after L'Arianna (4th June 1608), which Monteverdi published thirty years later as the conclusion of the VIII libro di madrigali (1638).