Amaya Fernández Pozuelo - J.S. Bach: Harpsichord Works (2024) [Hi-Res]

Tracklist

01. Duetto No. 3 in G Major, BWV 804
02. Prelude & Fugue No. 7 in E-Flat Major, BWV 876: I. Prelude
03. Prelude & Fugue No. 7 in E-Flat Major, BWV 876: II. Fugue
04. Capriccio in B-Flat Major, BWV 992 "On the Departure of the Beloved Brother": I. Arioso. Adagio
05. Capriccio in B-Flat Major, BWV 992 "On the Departure of the Beloved Brother": II. —
06. Capriccio in B-Flat Major, BWV 992 "On the Departure of the Beloved Brother": III. Adagiosissimo
07. Capriccio in B-Flat Major, BWV 992 "On the Departure of the Beloved Brother": IV. —
08. Capriccio in B-Flat Major, BWV 992 "On the Departure of the Beloved Brother": V. Aria di Postiglione. Allegro poco
09. Capriccio in B-Flat Major, BWV 992 "On the Departure of the Beloved Brother": VI. Fuga all' imitazione die posta
10. Prelude & Fugue No. 4 in C-Sharp Minor, BWV 849: I. Prelude
11. Prelude & Fugue No. 4 in C-Sharp Minor, BWV 849: II. Fugue
12. Prelude & Fugue No. 8 in E-Flat Minor, BWV 853: I. Prelude
13. Prelude & Fugue No. 8 in E-Flat Minor, BWV 853: II. Fugue
14. Duetto No. 4 in A Minor, BWV 805
15. Prelude & Fugue No. 20 in A Minor, BWV 889: I. Prelude
16. Prelude & Fugue No. 20 in A Minor, BWV 889: II. Fugue
17. Duetto No. 1 in E Minor, BWV 802
18. Chromatic Fantasia & Fugue in D Minor, BWV 903: I. Fantasia
19. Chromatic Fantasia & Fugue in D Minor, BWV 903: II. Fugue
20. Duetto No. 2 in F Major, BWV 803
21. Italian Concerto in F Major, BWV 971: I. —
22. Italian Concerto in F Major, BWV 971: II. Andante
23. Italian Concerto in F Major, BWV 971: III. Presto

Music has its own language. Its beauty immediately discloses emotions but sometimes also conceals its meanings. The musician is compelled by this dualism to make choices, which are not always painless. To enhance one of them entails attenuating what is immediately perceptible, in order to highlight what, although existing, is not. This peculiarity makes both studying and performing a piece difficult, and must always be taken into account. This often occurs in Johann Sebastian Bach. He is always searching for some kind of absolute truth. However, we are not given to grasp it in its entirety and in its incomparable complexity: only through continuous research and assiduous work we are able to comprehend a small part of it. The art of music resembles an extraordinary journey encompassing infinite dimensions; the most important aspect is treasuring what we experience and discover along the way, not just reaching the destination, because even then we would realize that the journey is far from over. As Bach suggests in his Musical Offering, there is only one road: quaerendo invenietis, seeking you will find; this is what I have tried to accomplish in this new recording project dedicated to the genius from Eisenach. The anthological choice of this CD stems from the need to provide a significant overview of this interpretative philosophy, which allows us to shed new light on the kaleidoscopic world of Bach. My previous recording project “Domenico Scarlatti alio modo” followed this same criterion, albeit on different bases.

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