Charlie Dore - Milk Roulette (2014)

  • 08 Jan, 20:41
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Artist:
Title: Milk Roulette
Year Of Release: 2014
Label: Black Ink Music
Genre: Folk, Pop, Singer-Songwriter
Quality: FLAC (tracks)
Total Time: 39:29
Total Size: 178 Mb
WebSite:

Tracklist:

1. All These Things (4:24)
2. Looking Like My Mother, Acting Like My Dad (5:04)
3. Born Yesterday (4:22)
4. Firewater (4:12)
5. Milk Roulette (4:12)
6. Best Man for the Job (3:56)
7. Stare You Down (4:21)
8. Three a Penny (3:11)
9. Please Don't Let Me Be Promoted (3:58)
10. Cradle Song (1:49)

Milk Roulette is Charlie Dore's 8th album and despite its non-sequitous title, follows births, marriages and deaths as its theme. Her most personal album to date includes songs about IVF, Pheromones, her father's game of Milk Roulette, a protest song about downloading and a piano piece written by Charlie's mother, aged just 6 years old and discovered 80 years later. Recorded at home on two expensive mics, but otherwise as cheaply as decently possible with her co-producer-writer-schoolfriend Julian Littman, the album also features three members of Charlie's live band, The Hula Valley Orchestra; Dudley Phillips and Gareth Huw Davies on double bass and Jake Walker on viola and violin. As ever, this is a home-grown project with Julian on guitar, mandolin, Dobro, piano and percussion (suitcase and housekeys). Charlie plays Indian harmonium, piano, ukulele and autoharp. Other ambient sounds that may be heard on a closer listen include a snoring dog (Ash, Julian's late friend) and lapping water (a record-breakingly long drink of water from Woody, Charlie's Irish Terrier during an otherwise perfectly good take.) The album also includes a guest appearance by Belinda O'Hooley and Heidi Tidow on 'Three A Penny' an almost acappella protest about cheap downloading, narrated by the service providers. Charlie says, 'I'm a huge fan of O'Hooley &Tidow. I love their songs and the way their voices blend and I was knocked out that they were up for joining us'. Old friend Reg Meuross and new friend Jess Vincent were also hijacked on their way home from a gig and lent their voices to Best Man For The Job, while the man behind the album design, Tom Climpson was co-opted to make his first ever appearance on record, singing bass. Charlie says,'He's very shy of microphones, but he sings like Bing.'


  • whiskers
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