Gene Krupa - The Chronological Classics: 1952-1953 (2005)

23 Jan, 23:37
change text size:

Artist: Gene Krupa
Title: The Chronological Classics: 1952-1953
Year Of Release: 2005
Label: Classics [1390]
Genre: Jazz, Swing
Quality: FLAC (tracks + .cue,log,scans)
Total Time: 74:22
Total Size: 332 MB(+3%)
WebSite: Album Preview

Tracklist

01. St. Louis Blues (7:36)
02. Please Don't Talk About Me When I'm Gone (3:35)
03. Stardust (3:45)
04. Perdido (3:05)
05. Fine's Idea (2:36)
06. Drumboogie (3:08)
07. Drum Boogie - Part 1 (3:40)
08. Drum Boogie - Part 2 (3:48)
09. My Blue Heaven (3:30)
10. Badgers Party (3:40)
11. Moon on the Ruined Castle (3:47)
12. How High the Moon (3:12)
13. Stompin' at the Ginza (3:29)
14. Tokyo Express (3:28)
15. Capital Idea (3:19)
16. Coronation Hop (2:53)
17. Paradise (3:42)
18. Overtime (2:44)
19. Imagination (4:50)
20. Don't Take Your Love from Me (4:35)

Volume 16 in the Classics Gene Krupa chronology documents his recording activity between March 1952 and September 1953. Although Krupa had struggled for years to keep his big band together, he had to throw in the towel in 1951. By the spring of the following year, he was leading his first small-group recording date for producer Norman Granz. Having spent years at the helm of a big band that expended a lot of energy accompanying jazz and pop vocalists, Krupa seems to have relished the intimacy and immediacy of these exciting instrumental blowing sessions with pianist Teddy Napoleon and tenor saxophonist Charlie Ventura. The opening track, "St. Louis Blues" runs for seven-and-a-half steamy minutes, and Ventura uses his baritone for a deliciously deep-toned interpretation of Hoagy Carmichael's "Star Dust." The big horn was also in evidence on a friendly laid-back rendition of "My Blue Heaven" and reflections of a "Moon on the Ruined Castle" recorded in Tokyo for the Victor label one month later when the trio was visiting Japan as part of an all-star entourage financed and presided over by Norman Granz. As Victor was not his company, Granz allowed the taping to occur but prevented the recordings from being released. Back in New York two weeks later, Granz and Krupa began making records using slightly larger ensembles. The six- and seven-piece bands that are heard on the last six titles of this compilation had powerful front liners in Ben Webster, Charlie Shavers, Bill Harris and Willie Smith; the rhythm sections were stoked with Teddy Wilson, Israel Crosby, Ray Brown, Steve Jordan and Herb Ellis. This outstanding compilation chronicles a sunny and artistically rewarding chapter in the life of Gene Krupa.

EAC Log

MY BLOG

IsraCloud