Edgar Krapp - Famous European Organs - Ottobeuren (1998)
Artist: Edgar Krapp
Title: Famous European Organs - Ottobeuren
Year Of Release: 1998
Label: Capriccio
Genre: Classical
Quality: FLAC (tracks) / MP3 320 Kbps
Total Time: 01:16:39
Total Size: 357 / 198 Mb
WebSite: Album Preview
Tracklist: Title: Famous European Organs - Ottobeuren
Year Of Release: 1998
Label: Capriccio
Genre: Classical
Quality: FLAC (tracks) / MP3 320 Kbps
Total Time: 01:16:39
Total Size: 357 / 198 Mb
WebSite: Album Preview
Toccata Septima
1 Toccata Septima 09:46
Suite du Premier ton
2 I. Grand plein jeu 02:19
3 II. Fugue 02:57
4 III. Duo 01:20
5 IV. Trio 01:48
6 V. Basse et Dessus de Trompette 01:50
7 VI. Recit de cromorne et de Cormet separe, en Dialogue 03:51
8 VII. Dialogue sur les grands Jeux 02:18
Suite du Deuxième ton
9 I. Plein jeu 02:33
10 II. Duo 01:42
11 III. Trio 02:02
12 IV. Basse de Cromorne 01:42
13 V. Flutes 04:02
14 VI. Recit de Nazard 02:42
15 V. Caprice sur les grands jeux 02:14
Organ Sonata No. 2 in F major
16 I. Allegro 05:17
17 II. Andantino 05:19
18 III. Allegro assai 04:20
Works for Flute Clock, Hob.XIX (arr. for organ)
19 No. 2. Andante 00:55
20 No. 3. Presto 00:54
Performers:
Edgar Krapp (Riepp organ of Ottobeuren Basilika)
Part of Capriccio’s “Famous European Organs” series, this CD presents music from the Baroque and Classic periods, played with flair and sensitivity on the Riepp organs of the Benedictine abbey of Ottobeuren. These are modest instruments, yet capable of making quite a formidable sound when the right stops are pulled, as in the raucous Battaglia by Johann Kerll. Most listeners, however, will be more enchanted with the many dulcet sound combinations exhibited here. Consider the lovely flutes at the beginning of Haydn’s Aus der Flötenuhr or the charming combination of Copel 8′ coupled with Doublet 2′ in the opening movement of the Franz Schnizer Sonate. Credit must go to the organ builder for providing the opportunities, but also to organist Edgar Krapp, who is unerringly sensitive in picking exactly the right tonal combination for each work. Clarity seems to be his watchword, a cue that is caught perfectly by the recording team. Even in the most complex passages, every line is absolutely clear, with uncanny presence.