The Mothers of Invention & Frank Zappa - Absolutely Free (Remastered) (2021) [Hi-Res]
Artist: The Mothers of Invention, Frank Zappa
Title: Absolutely Free
Year Of Release: 1967
Label: Frank Zappa Catalog
Genre: Rock, Jazz
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 43:32
Total Size: 104 / 263 MB / 1.78 GB
WebSite: Album Preview
Tracklist:Title: Absolutely Free
Year Of Release: 1967
Label: Frank Zappa Catalog
Genre: Rock, Jazz
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 43:32
Total Size: 104 / 263 MB / 1.78 GB
WebSite: Album Preview
01. Plastic People (3:41)
02. The Duke Of Prunes (2:13)
03. Amnesia Vivace (1:01)
04. The Duke Regains His Chops (1:53)
05. Call Any Vegetable (2:15)
06. Invocation And Ritual Dance Of The Young Pumpkin (6:59)
07. Soft-Sell Conclusion (1:41)
08. Big Leg Emma (2:32)
09. Why Don'tcha Do Me Right? (2:39)
10. America Drinks (1:53)
11. Status Back Baby (2:54)
12. Uncle Bernie's Farm (2:11)
13. Son Of Suzy Creamcheese (1:34)
14. Brown Shoes Don't Make It (7:29)
15. America Drinks & Goes Home (2:45)
AllMusic Review by Steve Huey
Frank Zappa's liner notes for Freak Out! name-checked an enormous breadth of musical and intellectual influences, and he seemingly attempts to cover them all on the second Mothers of Invention album, Absolutely Free. Leaping from style to style without warning, the album has a freewheeling, almost schizophrenic quality, encompassing everything from complex mutations of "Louie, Louie" to jazz improvisations and quotes from Stravinsky's Petrushka. It's made possible not only by expanded instrumentation, but also Zappa's experiments with tape manipulation and abrupt editing, culminating in an orchestrated mini-rock opera ("Brown Shoes Don't Make It") whose musical style shifts every few lines, often in accordance with the lyrical content. In general, the lyrics here are more given over to absurdity and non sequiturs, with the sense that they're often part of some private framework of satirical symbols. But elsewhere, Zappa's satire also grows more explicitly social, ranting against commercial consumer culture and related themes of artificiality and conformity. By turns hilarious, inscrutable, and virtuosically complex, Absolutely Free is more difficult to make sense of than Freak Out!, partly because it lacks that album's careful pacing and conceptual focus. But even if it isn't quite fully realized, Absolutely Free is still a fabulously inventive record, bursting at the seams with ideas that would coalesce into a masterpiece with Zappa's next project.
Frank Zappa's liner notes for Freak Out! name-checked an enormous breadth of musical and intellectual influences, and he seemingly attempts to cover them all on the second Mothers of Invention album, Absolutely Free. Leaping from style to style without warning, the album has a freewheeling, almost schizophrenic quality, encompassing everything from complex mutations of "Louie, Louie" to jazz improvisations and quotes from Stravinsky's Petrushka. It's made possible not only by expanded instrumentation, but also Zappa's experiments with tape manipulation and abrupt editing, culminating in an orchestrated mini-rock opera ("Brown Shoes Don't Make It") whose musical style shifts every few lines, often in accordance with the lyrical content. In general, the lyrics here are more given over to absurdity and non sequiturs, with the sense that they're often part of some private framework of satirical symbols. But elsewhere, Zappa's satire also grows more explicitly social, ranting against commercial consumer culture and related themes of artificiality and conformity. By turns hilarious, inscrutable, and virtuosically complex, Absolutely Free is more difficult to make sense of than Freak Out!, partly because it lacks that album's careful pacing and conceptual focus. But even if it isn't quite fully realized, Absolutely Free is still a fabulously inventive record, bursting at the seams with ideas that would coalesce into a masterpiece with Zappa's next project.