Łukasz Borowicz, WDR Sinfonieorchester - Grażyna Bacewicz: Complete Orchestral Works Vol. 2 (2023) [Hi-Res]
Artist: Łukasz Borowicz, WDR Sinfonieorchester
Title: Grażyna Bacewicz: Complete Orchestral Works Vol. 2
Year Of Release: 2023
Label: CPO
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
Total Time: 00:53:03
Total Size: 233 / 512 mb
WebSite: Album Preview
TracklistTitle: Grażyna Bacewicz: Complete Orchestral Works Vol. 2
Year Of Release: 2023
Label: CPO
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
Total Time: 00:53:03
Total Size: 233 / 512 mb
WebSite: Album Preview
01. Overture
02. Symphony No. 2: Con passione
03. Symphony No. 2: Lento tranquillo
04. Symphony No. 2: Scherzo. Vivo
05. Symphony No. 2: Finale. Allegro moderato
06. Variations for Orchestra: 06 Variations for Orchestra
07. Musica sinfonica in tre movimenti: Tesi
08. Musica sinfonica in tre movimenti: Dialogo. Molto tranquillo
09. Musica sinfonica in tre movimenti: Gioco
In her own words, Grazyna Bacewicz (1909-1969) had been gifted by nature with a "small, invisible engine" that allowed her to do in ten minutes what others needed an hour for. This inner drive can be demonstrated in all areas of this Polish artist's life. She was an excellent violinist from an early age, had success as a writer and already wrote her first compositions as a teenager – all at a dizzying pace. Even so, the quality of her works are not superficial in the least. This new release by cpo is the second in a series of her complete symphonic works. After presenting her Symphonies Nos. 3 and 4, works from the early 1950s, Lukasz Borowicz and the WDR Symphony Orchestra perform more examples of Bacewicz's wealth of expression. These include the neoclassical outbursts of the Overture (1943) and the Second Symphony (1951), the sophisticated, already strongly timbre-oriented Variations for Orchestra (1957) and Tre movimenti, by which time Grazyna Bacewicz had achieved her "late" style – the so-called "sonorism", in which the colour of sound plays an essential structural role. After these "three movements", the "small engine" ran for almost another four years – this phenomenal musician had completed everything faster than the others. Her invisible drive can still be heard here today.