Lee Wilder - Sound Emporium (2024) Hi-Res

  • 09 Feb, 09:49
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Artist:
Title: Sound Emporium
Year Of Release: 2024
Label: Blind Owl
Genre: Rock, Classic Rock
Quality: 320 / FLAC (tracks) / FLAC (tracks) 24bit-44.1kHz
Total Time: 42:52
Total Size: 100 / 277 / 493 Mb
WebSite:

Tracklist:

01. Rollin' (4:07)
02. Riot (4:30)
03. Mess Of Things (4:18)
04. Fever (4:17)
05. November Gold (5:15)
06. Company Man (4:16)
07. Take Me (4:21)
08. Bluebird (3:23)
09. No Man's Land (4:34)
10. Cave In (3:522)

This set gets off to a smoking start with the hardy punky vocal splash on “Rollin’” & miraculously mixes an R&R timbre with a punkier vanilla extract. Nice work. The instrumentation & added vocals have circuitry with a lasting sense of personality. The tires on this musical vehicle are filled to the max with a soulful grind & an impressive mix of genres that’s never stiff. A party in your speakers.

The 10 Sound Emporium tunes on this debut by Lee Wilder was produced by Jordan Andreen with horn & string arrangements by Jesse Audelo. The material is a diversified set of gospel-tinted Americana with danceable swipes, pop yeast & grunge shavings. Plenty of energy drifts through the love & loss of old song recipes.

These performers have absorbed their rock, soul & punky lessons well. They mix the genres, stir & shake then pour it out thick with consistency & it works tastefully. “Riot,” is fairly simple but it has a Sly & the Family Stone funk, soul & rock vocal execution. Exciting. Even the effects that are added fatten the performance & make it an interesting listen as the lead guitar stabs away at the melody.

Maybe everyone in this unit listened to lots of creative ’60s melodies & performances because they have certainly loaded up their set with fluent retro material & polished it to their high sheen. Even the simple “Mess of Things,” has a steady punky vocal — never gets too grungy or aggressive. Yet, it has its vinegar. I love it.

With the inclusion of “Fever,” “Bluebird,” & “No Man’s Land,” it’s as if they plucked these from Crash Test Dummies leftovers. The vocals are perfectly in line with Brad Roberts’ deep subterranean tonality. These are cool – “Fever” stomps along with predatory charm with its hardy thick aggressive timbre & bristles with a bewitched pizzazz. Creepy? A little, but it’s an attractive creepiness. Like when you pass an accident & have to look.




  • mufty77
  •  21:27
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Many thanks for Hi-Res!
  • whiskers
  •  13:52
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Many Thanks