The Bats - The Law Of Things (1987)
Artist: The Bats
Title: The Law Of Things
Year Of Release: 1987
Label: Flying Nun Records, Mammoth Records
Genre: Indie Pop, Jangle Pop
Quality: Mp3 320 / Flac (tracks)
Total Time: 38:37
Total Size: 95/257 Mb
WebSite: Album Preview
Tracklist:Title: The Law Of Things
Year Of Release: 1987
Label: Flying Nun Records, Mammoth Records
Genre: Indie Pop, Jangle Pop
Quality: Mp3 320 / Flac (tracks)
Total Time: 38:37
Total Size: 95/257 Mb
WebSite: Album Preview
01. The Other Side Of You (Album Version) 3:09
02. The Law Of Things (Album Version) 2:12
03. Never Said Goodbye (Album Version) 2:33
04. Yawn Vibes (Album Version) 3:40
05. Time To Get Ready (Album Version) 4:14
06. Ten To One (Album Version) 2:37
07. Mastery (Album Version) 2:57
08. I Fall Away (Album Version) 2:27
09. Cliff Edge (Album Version) 3:05
10. Nine Days (Album Version) 3:41
11. Bedlam (Album Version) 3:25
12. Smoking Her Wings (Album Version) 4:37
The Law of Things is the second album by the New Zealand band The Bats, released in 1990. It was released by Mammoth Records in the United States.
The track "Smoking Her Wings" was released as a single, and the album peaked at #38 in the New Zealand charts.
Trouser Press called the album "monumental," writing: "Capturing all the hooky appeal and personal charm of their first records, it updates the recipe with seven years of instrumental mastery and superior sonics." The New York Times wrote that "the production is raw; the song structures are almost self-consciously unsophisticated - just jaunty guitar riffs, roughshod 4/4 rhythms and, in the more aggressive tracks, base lines that rumble and swell and even drown out the other instruments."
The track "Smoking Her Wings" was released as a single, and the album peaked at #38 in the New Zealand charts.
Trouser Press called the album "monumental," writing: "Capturing all the hooky appeal and personal charm of their first records, it updates the recipe with seven years of instrumental mastery and superior sonics." The New York Times wrote that "the production is raw; the song structures are almost self-consciously unsophisticated - just jaunty guitar riffs, roughshod 4/4 rhythms and, in the more aggressive tracks, base lines that rumble and swell and even drown out the other instruments."
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