Martin Roscoe, BBC Scottish Symphony Orchestra, Martyn Brabbins - Brüll: Piano Concertos Nos. 1 & 2 (Hyperion Romantic Piano Concerto 20) (1999)
Artist: Martin Roscoe, BBC Scottish Symphony Orchestra, Martyn Brabbins
Title: Brüll: Piano Concertos Nos. 1 & 2 (Hyperion Romantic Piano Concerto 20)
Year Of Release: 1999
Label: Hyperion
Genre: Classical
Quality: flac lossless (tracks) +Booklet
Total Time: 01:12:56
Total Size: 255 mb
WebSite: Album Preview
TracklistTitle: Brüll: Piano Concertos Nos. 1 & 2 (Hyperion Romantic Piano Concerto 20)
Year Of Release: 1999
Label: Hyperion
Genre: Classical
Quality: flac lossless (tracks) +Booklet
Total Time: 01:12:56
Total Size: 255 mb
WebSite: Album Preview
01. Piano Concerto No. 1 in F Major, Op. 10: I. Allegro moderato – Cadenza – Tempo I
02. Piano Concerto No. 1 in F Major, Op. 10: II. Andante. Molto espressivo
03. Piano Concerto No. 1 in F Major, Op. 10: III. Finale. Presto
04. Andante and Allegro, Op. 88: I. Andante moderato, con moto
05. Andante and Allegro, Op. 88: II. Allegro vivace
06. Piano Concerto No. 2 in C Major, Op. 24: I. Allegro moderato
07. Piano Concerto No. 2 in C Major, Op. 24: II. Andante ma non troppo
08. Piano Concerto No. 2 in C Major, Op. 24: III. Allegro
Volume 20 of our Romantic Piano Concerto series features Ignaz Brüll's two Piano Concertos and the Andante and Allegro, Op 88. The first of the concertos was amazingly composed when Brüll was just 15, the second when he was 22.
A very well respected pianist, Brüll was noted for his sympathetic insight into the essence of a work, which only a virtuoso who is a creative artist can possess. Colleagues such as Franz Liszt, Anton Rubenstein and Clara Schumann, as well as many critics, regarded him as one of the leading exponents of his craft. As a composer, he stood firmly within the tradition of the conservative, Classical school. In the language of the time, this tradition was described as being 'in the direction of Schumann and Mendelssohn'. Its most distinguishing features were a clear awareness of form based on Classical models, and a measured form of expression which shunned excess and exaggeration.
The Andante and Allegro and First Piano Concerto here receive their first recordings.