Maxine Brown - The EP Collection... Plus (2000)
Artist: Maxine Brown
Title: The EP Collection... Plus
Year Of Release: 2000
Label: See For Miles Records Ltd.
Genre: R&B, Soul
Quality: Mp3 320 / Flac (tracks)
Total Time: 01:10:03
Total Size: 175/297 Mb (covers)
WebSite: Album Preview
Tracklist:Title: The EP Collection... Plus
Year Of Release: 2000
Label: See For Miles Records Ltd.
Genre: R&B, Soul
Quality: Mp3 320 / Flac (tracks)
Total Time: 01:10:03
Total Size: 175/297 Mb (covers)
WebSite: Album Preview
01. All in My Mind 2:36
02. Think of Me 2:42
03. I Don't Need You No More 2:26
04. After All We've Been Through 2:37
05. My Life 2:17
06. What I Don't Know 2:43
07. Am I Falling in Love 2:07
08. Ask Me 3:35
09. Yesterday's Kisses 2:31
10. Coming Back to You 3:04
11. Little Girl Lost 2:16
12. You Upset My Soul 2:33
13. I Cry Alone 2:35
14. Put Yourself in My Place 2:14
15. Oh No Not My Baby 2:37
16. It's Gonna Be Alright 2:35
17. Something You Got 2:53
18. One Step at a Time 2:04
19. Don't Go 2:52
20. If You Gotta Make a Fool of Somebody 2:12
21. One in a Million 3:00
22. Let Me Give You My Lovin' 2:20
23. Daddy's Home 2:24
24. Let's Go Get Stoned 2:34
25. Tennessee Waltz 2:48
26. Let It Be Me 2:55
27. It's Torture 2:35
Maxine Ella Brown (born August 18, 1939) is an American soul and R&B singer.
Maxine Brown began singing as a child, performing with two New York City based gospel groups called the Angelairs and the Royaltones when she was a teenager. In 1960, she signed with the small Nomar record label, who released the deep soul ballad "All in My Mind" (which was written by Brown) late in the year. The single became a hit, climbing to number two on the US Billboard R&B chart (number 19 pop), and it was quickly followed by "Funny", which peaked at number three on the R&B chart and #25 on the Hot 100
Brown was poised to become a star and moved to the bigger ABC-Paramount in 1962. She left the label after an unsuccessful year recording several non-chart singles for the label, and signed to the New York-based uptown soul label, Wand Records, a Scepter Records subsidiary, in 1963.
Brown recorded a string of sizable hits for Wand over the next three years. Among these were the Carole King/Gerry Goffin songs "Oh No Not My Baby", which reached number 24 on the pop chart in 1964, and "It's Gonna Be Alright", which peaked at No. 26 on the R&B chart the following year. She also recorded duets with label-mate Chuck Jackson, including a reworked version of an Alvin Robinson hit, "Something You Got", which climbed to No. 10 on the R&B chart. However, the company turned its focus to other bigger-selling acts, especially Dionne Warwick.
All backing vocals for Brown's records were performed by Cissy Houston and the Sweet Inspirations (the same group that backed Elvis Presley),[citation needed] plus emerging writer-producers Nick Ashford and Valerie Simpson. Hoping to increase the line of hits for Brown and her singing partner, Chuck Jackson, Ashford and Simpson took their song catalog to Scepter Records looking for a deal. When they were turned down, the couple approached Berry Gordy at Motown Records who immediately hired them.[citation needed] Songs that were penned for Brown and Jackson became blockbuster hits for Ray Charles, such as "Let's Go Get Stoned" (co-written by Jo Armstead), as well as Marvin Gaye and Tammi Terrell's "Ain't No Mountain High Enough".
In 1969, Brown left Wand Records for Commonwealth United, where she recorded two singles, the first "We'll Cry Together" reached No. 10 in the Billboard R&B chart and also made the lower reaches of the Hot 100. A spell with Avco Records followed, but her later recordings generally met with little commercial success.
Maxine Brown began singing as a child, performing with two New York City based gospel groups called the Angelairs and the Royaltones when she was a teenager. In 1960, she signed with the small Nomar record label, who released the deep soul ballad "All in My Mind" (which was written by Brown) late in the year. The single became a hit, climbing to number two on the US Billboard R&B chart (number 19 pop), and it was quickly followed by "Funny", which peaked at number three on the R&B chart and #25 on the Hot 100
Brown was poised to become a star and moved to the bigger ABC-Paramount in 1962. She left the label after an unsuccessful year recording several non-chart singles for the label, and signed to the New York-based uptown soul label, Wand Records, a Scepter Records subsidiary, in 1963.
Brown recorded a string of sizable hits for Wand over the next three years. Among these were the Carole King/Gerry Goffin songs "Oh No Not My Baby", which reached number 24 on the pop chart in 1964, and "It's Gonna Be Alright", which peaked at No. 26 on the R&B chart the following year. She also recorded duets with label-mate Chuck Jackson, including a reworked version of an Alvin Robinson hit, "Something You Got", which climbed to No. 10 on the R&B chart. However, the company turned its focus to other bigger-selling acts, especially Dionne Warwick.
All backing vocals for Brown's records were performed by Cissy Houston and the Sweet Inspirations (the same group that backed Elvis Presley),[citation needed] plus emerging writer-producers Nick Ashford and Valerie Simpson. Hoping to increase the line of hits for Brown and her singing partner, Chuck Jackson, Ashford and Simpson took their song catalog to Scepter Records looking for a deal. When they were turned down, the couple approached Berry Gordy at Motown Records who immediately hired them.[citation needed] Songs that were penned for Brown and Jackson became blockbuster hits for Ray Charles, such as "Let's Go Get Stoned" (co-written by Jo Armstead), as well as Marvin Gaye and Tammi Terrell's "Ain't No Mountain High Enough".
In 1969, Brown left Wand Records for Commonwealth United, where she recorded two singles, the first "We'll Cry Together" reached No. 10 in the Billboard R&B chart and also made the lower reaches of the Hot 100. A spell with Avco Records followed, but her later recordings generally met with little commercial success.