Midas Fall - Cold Waves Divide Us (2024) Hi Res

  • 08 Mar, 10:31
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Artist:
Title: Cold Waves Divide Us
Year Of Release: 2024
Label: Monotreme Records
Genre: Post-Rock, Progressive Rock
Quality: 320 kbps | FLAC (tracks) | 24Bit/44 kHz FLAC
Total Time: 00:47:10
Total Size: 111 mb | 292 mb | 534 mb
WebSite:

Tracklist:

01. Midas Fall - In the Morning We'll Be Someone Else
02. Midas Fall - I Am Wrong
03. Midas Fall - Salt
04. Midas Fall - In This Avalanche
05. Midas Fall - Point of Diminishing Return
06. Midas Fall - Monsters
07. Midas Fall - Atrophy
08. Midas Fall - Cold Waves Divide Us
09. Midas Fall - Little Wooden Boxes
10. Midas Fall - Mute

Scottish alt/post/progressive-rock outfit Midas Fall release their Fifth studio album, ‘Cold Waves Divide Us’ on March 8th, 2024 worldwide on Monotreme Records. Michael Hamilton joins founding members Elizabeth Heaton and Rowan Burn for the follow-up to their 2018 Prog Magazine Awards ‘Limelight Award’ winning album, ‘Evaporate’. ‘Cold Waves Divide Us’ sees Midas Fall at their most confidently visceral, each song moving beautifully between quiet and loud, gentle and crushing. “This album is a heavier and bigger experience than the last album”, says Heaton. “We kept the atmospheric strings and 80s synths of Evaporate but wanted to add heavier layered elements, to represent more what we sound like live.” Opener ‘In the Morning We’ll Be Someone Else’ starts quietly with serene piano and vocals, ominously ratcheting up the tension to walls of crashing guitars and Heaton’s soaring vocals. ‘I Am Wrong’ thunders along on pounding rhythmic drums swirling around heavy swathes of low and delicate melodic highs. On ‘Monsters’, the band are more contemplative, with an ethereal beginning making way for gorgeously syncopated guitar and drums, whilst ‘Cold Waves Divide Us’ builds slower, allowing Heaton’s voice to gracefully float over the growing force beneath it. ‘Avalanche’ is a bittersweet lullabye showcasing Heaton’s heart-rending vocals in one of the quieter moments on the album. ‘Point of Diminishing Return’ sees a more electronic influence, with glittering shimmered synths taking the space where guitar melodies were, but with all of the Post-Rock beauty that the duo are known for, something ‘Little Wooden Boxes’ showcases perfectly, expertly hovering between gentle clean guitar and piano, and exhilarating, uplifting full-band, full-bore epic.