Benny Goodman & His Orchestra - Recordings 1937-44 (1990)
Artist: Benny Goodman, Benny Goodman & His Orchestra
Title: Recordings 1937-44
Year Of Release: 1990
Label: Delta Music GmbH – 57 547-2, Compilation, Club Edition, Mono
Genre: Jazz, Swing
Quality: FLAC (tracks+.cue,log artwork)
Total Time: 58:27
Total Size: 319 Mb
WebSite: Album Preview
Tracklist: Title: Recordings 1937-44
Year Of Release: 1990
Label: Delta Music GmbH – 57 547-2, Compilation, Club Edition, Mono
Genre: Jazz, Swing
Quality: FLAC (tracks+.cue,log artwork)
Total Time: 58:27
Total Size: 319 Mb
WebSite: Album Preview
01. King Porter Stomp (2:56)
02. Henderson Stomp (2:28)
03. Bugle Call Rag (2:30)
04. Don't Be That Way (4:09)
05. Let's Dance (2:37)
06. Memories Of You (3:14)
07. Poor Butterfly (2:24)
08. After You've Gone (3:25)
09. Down South Camp Meeting (3:03)
10. Avalon (4:02)
11. Sing, Sing, Sing (With A Swing) (11:40)
12. A.C.D.C. Current (2:28)
13. Stomping At The Savoy (5:59)
14. One O'Clock Jump (7:34)
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing".
From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music."
Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his trio and quartet. He performed nearly to the end of his life while exploring an interest in classical music.
From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music."
Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his trio and quartet. He performed nearly to the end of his life while exploring an interest in classical music.