Lifehouse - Lifehouse (2005)
Artist: Lifehouse
Title: Lifehouse
Year Of Release: 2005
Label: Geffen Records – 9880818 / CD, Special Edition
Genre: Alternative, Pop Rock, Power Pop
Quality: 320 / FLAC (tracks+.cue,log)
Total Time: 54:42
Total Size: 136 / 389 Mb
WebSite: Album Preview
Tracklist: Title: Lifehouse
Year Of Release: 2005
Label: Geffen Records – 9880818 / CD, Special Edition
Genre: Alternative, Pop Rock, Power Pop
Quality: 320 / FLAC (tracks+.cue,log)
Total Time: 54:42
Total Size: 136 / 389 Mb
WebSite: Album Preview
01. Come Back Down (4:35)
02. You And Me (3:15)
03. Blind (5:00)
04. All In All (2:57)
05. Better Luck Next Time (3:36)
06. Days Go By (3:23)
07. Into The Sun (5:20)
08. Undone (3:23)
09. We'll Never Know (3:24)
10. Walking Away (4:47)
11. Chapter One (3:38)
12. The End Has Only Begun (4:20)
Special Edition
13. Today (3:02)
14. Along The Way (4:03)
Lifehouse is the third studio album by pop rock band Lifehouse. It was released in 2005 on Geffen Records.
It debuted at #10 on the Billboard 200, selling 63,000 copies in its first week of release and was certified Gold by the RIAA on September 7, 2005. Lifehouse has sold 960,000 units in the US as of November 2009, and over three million worldwide to date.
Three albums in and Lifehouse sound comfortable -- comfortable in their skin, comfortable working within the constraints of adult alternative radio, comfortable enough to deaden any possible lingering Creed or Stone Temple Pilots comparisons that might have plagued them after their first two records. Here, on their eponymous third album, Lifehouse is a rock band that doesn't rock. They strum acoustic guitars and sing earnest mid-tempo anthems and ballads, all given a slick shine by producer John Alagia, who has previously worked on records by the Dave Matthews Band, John Mayer, and Jason Mraz -- a collaborator whose very presence indicates how far the group has shifted from its early Brendan O'Brien productions. While some longtime fans will miss the band's harder side, Lifehouse sound, well, more comfortable in this setting, and they've made an album that's smooth, mellow, reasonably tuneful, inoffensive, and thoroughly unmemorable. It's not an album that makes waves, it's a record that's designed to ease onto the AAA radio waves, where it will politely sit next to songs by Matthews, Mayer, and Mraz. And on that level, Lifehouse is indeed a success, since it's pleasant enough as it's playing, but the drawback is that it could too easily be mistaken as the work of many other bands who mine the same territory.
It debuted at #10 on the Billboard 200, selling 63,000 copies in its first week of release and was certified Gold by the RIAA on September 7, 2005. Lifehouse has sold 960,000 units in the US as of November 2009, and over three million worldwide to date.
Three albums in and Lifehouse sound comfortable -- comfortable in their skin, comfortable working within the constraints of adult alternative radio, comfortable enough to deaden any possible lingering Creed or Stone Temple Pilots comparisons that might have plagued them after their first two records. Here, on their eponymous third album, Lifehouse is a rock band that doesn't rock. They strum acoustic guitars and sing earnest mid-tempo anthems and ballads, all given a slick shine by producer John Alagia, who has previously worked on records by the Dave Matthews Band, John Mayer, and Jason Mraz -- a collaborator whose very presence indicates how far the group has shifted from its early Brendan O'Brien productions. While some longtime fans will miss the band's harder side, Lifehouse sound, well, more comfortable in this setting, and they've made an album that's smooth, mellow, reasonably tuneful, inoffensive, and thoroughly unmemorable. It's not an album that makes waves, it's a record that's designed to ease onto the AAA radio waves, where it will politely sit next to songs by Matthews, Mayer, and Mraz. And on that level, Lifehouse is indeed a success, since it's pleasant enough as it's playing, but the drawback is that it could too easily be mistaken as the work of many other bands who mine the same territory.