Daniel Johannsen, William Shelton & Miriam Feuersinger - Bach: Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik) (2024) [Hi-Res]
Artist: Daniel Johannsen, William Shelton, Miriam Feuersinger
Title: Bach: Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik)
Year Of Release: 2024
Label: Passacaille
Genre: Classical
Quality: FLAC (tracks) / 24bit-96&192kHz FLAC (tracks)
Total Time: 01:29:51
Total Size: 433 MB / 1.75 GB
WebSite: Album Preview
Tracklist:Title: Bach: Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik)
Year Of Release: 2024
Label: Passacaille
Genre: Classical
Quality: FLAC (tracks) / 24bit-96&192kHz FLAC (tracks)
Total Time: 01:29:51
Total Size: 433 MB / 1.75 GB
WebSite: Album Preview
1. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 1. Choral, "O Mensch, bewein deine Sünde groß" (5:50)
2. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 2. Recitativ, "Am Abend, der vor Ostern war" ( (0:40)
3. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 3. Aria, "Ach! Wie meint es Jesus gut" (Johann (4:21)
4. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 4. Recitativ, "Und nach gesprochnen Lobgesang" (0:22)
5. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 5. Recitativ, "Schau hier, mein Herz" (Seele) (0:58)
6. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 6. Aria, "Rolle doch nicht auf die Erde" (Seel (6:15)
7. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 7. Recitativ, "Und endlich kam die Mörderschar (0:32)
8. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 8. Aria, "Verdammter Verräter, wo hast du dein (5:38)
9. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 9. Recitativ, "Doch Jesus ging gelassen fort" (0:16)
10. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 10. Recitativ, "Philister! Philister über dir" (1:00)
11. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 11. Choral, "Ich will hier bei dir stehen" (Ch (1:06)
12. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 12. Recitativ, "Zwar Petrus blieb von weiten" (0:43)
13. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 13. Aria I, "Ihr seht mich an, ihr starren Aug (6:28)
14. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 14. Recitativ, "Und weinte bitterlich" (Evange (0:21)
15. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 15. Aria II, "Ich flehe dich um meiner Zähren" (5:40)
16. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 16. Recitativ, "Der Heiland wird verklagt" (Ev (0:29)
17. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 17. Aria, "Aus Liebe will ich alles dulden" (J (4:56)
18. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 18. Recitativ, "Doch diesem ungeacht" (Evangel (0:25)
19. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 19. Choral, "Dein Backenstreich und Ruten fris (1:05)
20. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 20. Aria, "Kommt heraus, und geht vorüber" (Z (7:00)
21. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) (1:18)
22. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 22. Recitativ, "Doch dieses nicht genung" (Ev (0:48)
23. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 23. Aria, "Brechet mir doch nicht das Herz" ( (2:25)
24. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 24. Recitativ, "Brechet mir doch nicht das He (2:39)
25. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 25. Choral, "Wein! Ach, wein jetzt um die Wet (0:57)
26. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 26. Recitativ, "Und als die Schar" (Evangelis (0:28)
27. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 27. Aria, "Nimm es nicht, mein ander Leben" ( (7:01)
28. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 28. Recitativ, "Und um die neunte Stunde" (Ev (0:44)
29. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 29. Recitativ, "So hat mein Jesus nun die Aug (1:22)
30. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 30. Aria, "Es ist vollbracht" (Seele) (4:12)
31. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 31. Recitativ, "Zur Abendszeit" (Evangelist) (0:41)
32. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 32. Chor, "Wir setzen uns bei deinem Grabe ni (5:04)
33. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 33. Choral, "Was schadet mir des Todes Gift" (1:32)
34. Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 1. Aria, "Sammelt euch, getreue Seelen" (Zion) (Alternative Opening Movement According to Picander’s Libretto) (6:51)
The harpsichordist and conductor Alexander Grychtolik and the top Belgian ensemble Il Gardellino present here on PASSACAILLE an attempt to reconstruct the Passion oratorio BWV Anh. 169, which Bach began around 1725 but then
abandoned or had to abandon. This recording is intended to show that with Picander's free Passion poem, the composer must also have planned his own contribution to the then extremely popular genre of the freely composed Passion oratorio. Numerous detailed questions about the work will probably remain unanswered forever. In the spirit of artistic experimentation, however, this version is intended to explore a new aspect of Bach's Passion aesthetics.
abandoned or had to abandon. This recording is intended to show that with Picander's free Passion poem, the composer must also have planned his own contribution to the then extremely popular genre of the freely composed Passion oratorio. Numerous detailed questions about the work will probably remain unanswered forever. In the spirit of artistic experimentation, however, this version is intended to explore a new aspect of Bach's Passion aesthetics.
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