Ashley Solomon - The Spohr Collection Vol. 1 (2020) [DSD256]
Artist: Ashley Solomon
Title: The Spohr Collection Vol. 1
Year Of Release: 2020
Label: Channel Classics Records
Genre: Classics
Quality: DSD256 2.0 (*.dsf) (tracks) 11,2 MHz/1 Bit
Total Time: 01:08:33
Total Size: 11 GB
WebSite: Album Preview
Tracklist:Title: The Spohr Collection Vol. 1
Year Of Release: 2020
Label: Channel Classics Records
Genre: Classics
Quality: DSD256 2.0 (*.dsf) (tracks) 11,2 MHz/1 Bit
Total Time: 01:08:33
Total Size: 11 GB
WebSite: Album Preview
1. Chaconne en trio 06:20
2. Organ Trio Sonata BWV525 in G major - Untitled 02:47
3. Organ Trio Sonata BWV525 in G major - Adagio 07:12
4. Organ Trio Sonata BWV525 in G major - Allegro 03:43
5. Sonata No.V in G major Op. 1 - Andante 03:11
6. Sonata No.V in G major Op. 1 - Allegro ma poco 02:25
7. Sonata No.V in G major Op. 1 - Gavotta-Gratioso 02:06
8. Sonata No.V in G major Op. 1 - Allegro assai 02:13
9. Ornamented Airs and Brunettes - Prelude - Pourquoy, doux rossignol 03:07
10. Ornamented Airs and Brunettes - Prelude - L'autre jour ma Cloris 03:40
11. Sonata a tre No.2 in D minor - Adagio 01:57
12. Sonata a tre No.2 in D minor - Allegro 01:20
13. Sonata a tre No.2 in D minor - Aria-Largo 02:50
14. Sonata a tre No.2 in D minor - Giga 02:05
15. Fantasia No.8 in E minor TWV 40 -9 - Largo-Spirituoso-Allegro 04:16
16. Methodical Sonata No. 3 in E minor TWV41 -e2 - Grave 03:06
17. Methodical Sonata No. 3 in E minor TWV41 -e2 - Vivace 02:32
18. Methodical Sonata No. 3 in E minor TWV41 -e2 - Cunando 02:18
19. Methodical Sonata No. 3 in E minor TWV41 -e2 - Vivace 02:43
20. Sonata in C major Op.2 No.1 - Andante 03:54
21. Sonata in C major Op.2 No.1 - Adagio 02:29
22. Sonata in C major Op.2 No.1 - Presto 02:19
In 2002 Florilegium became involved with Bolivian Baroque and since 2003 Ashley has been training vocalists and instrumentalists there. Initially solo singers, he formed Arakaen – dar Bolivia Choir in 2005. In 2008 Ashley was the first European to receive the prestigious Bolivian Hans Roth Prize, given to him in recognition of the enormous assistance he has given to the Bolivian indigenous people, their presence on the international stage and the promotion and preservation of this music.
“For the last 28 years of collaboration with Channel Classics my main inspiration for recording has always been repertoire. Either to convey our individual interpretation of known pieces I am passionate about, or to present otherwise unknown repertoire for the very first time. This recording, however, came about through a chance encounter with a remarkable private collection of flutes held in Frankfurt. This collection includes several hundred historical flutes spanning the history of the instrument from one of the earliest surviving 3-piece French flutes made by Chattillion in c.1680. Many of these are baroque and other one-keyed flutes and most of them have not been used in recordings before. The collection includes some of the finest examples of playable baroque flutes anywhere in the world, and while many are fragile, extremely delicate and temperamental, there is almost nothing in life as viscerally exciting, as appealing to the intellect and to the senses, as playing on outstanding historical instruments. Thanks to the remarkable generosity of the collector I am able to present this unique recording with nine original flutes together with my colleagues from Florilegium.”
“For the last 28 years of collaboration with Channel Classics my main inspiration for recording has always been repertoire. Either to convey our individual interpretation of known pieces I am passionate about, or to present otherwise unknown repertoire for the very first time. This recording, however, came about through a chance encounter with a remarkable private collection of flutes held in Frankfurt. This collection includes several hundred historical flutes spanning the history of the instrument from one of the earliest surviving 3-piece French flutes made by Chattillion in c.1680. Many of these are baroque and other one-keyed flutes and most of them have not been used in recordings before. The collection includes some of the finest examples of playable baroque flutes anywhere in the world, and while many are fragile, extremely delicate and temperamental, there is almost nothing in life as viscerally exciting, as appealing to the intellect and to the senses, as playing on outstanding historical instruments. Thanks to the remarkable generosity of the collector I am able to present this unique recording with nine original flutes together with my colleagues from Florilegium.”