Jun Markl - The Best of Jun Märkl (2024)
Artist: Jun Markl
Title: The Best of Jun Märkl
Year Of Release: 2024
Label: Naxos
Genre: Classical
Quality: FLAC (tracks)
Total Time: 139:37 min
Total Size: 536 MB
WebSite: Album Preview
Tracklist:Title: The Best of Jun Märkl
Year Of Release: 2024
Label: Naxos
Genre: Classical
Quality: FLAC (tracks)
Total Time: 139:37 min
Total Size: 536 MB
WebSite: Album Preview
01. Samson et Dalila, Op. 47, R. 288, Act I (Excerpts Arr. L.D. Steiger for Wind Ensemble): Danse des prêtresses de dagon
02. Petite suite, L. 65: No. 1, En bateau (Orch. H. Buser)
03. Divertimento aus Klavierstücke von François Couperin, Op. 86, TrV 245b: IV. Les fauvettes plaintives
04. Aschenputtel, Op. 33: IV. Der Prinz und der Ritt mit den Bösen Schwestern
05. Symphony in E Major, WWV 35 (Fragment) [Orchestration Completed F. Mottl]: II. Adagio cantabile
06. Pavane
07. Danses sacrée et profane, L. 103: 2 Danses, "Danses sacree et profane": Danse sacree
08. Elias, Op. 70, MWV A25: Pt. II: Siehe, der Huter Israels (Chorus)
09. Circulating Ocean: Waves from the Ocean
10. Suite in D Minor, Op. 16b, R. 211: II. Sérénade
11. Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo
12. Symphony in B Minor (arr. T. Finno for orchestra): Ii. Un poco lento, cantabile
13. Der Weihnachtsabend, LoWV 26: Overture
14. Sarabande et rigaudon, Op. 93: Sarabande
15. Et exspecto resurrectionem mortuorum: II. Le Christ, ressuscite des morts, ne meurt plus; la mort n'a plus sur lui d'empire
16. Daphnis et Chloé: Pt. III: Devant l'autel des Nymphes - Danse generale
17. La mer, L. 109: II. Jeux de vagues
18. Meditation
19. Musette guerrière
20. Symphony No. 2 in B-Flat Major, Op. 52, MWV A18, "Lobgesang" (Hymn of Praise): VIII. Chorale. Nun danket alle Gott [Chorus]
21. Images pour orchestre, L. 122: No. 2, Iberia: Par les rues et par les chemins -
22. Ascanio, R. 293: Phœbus prenant sa lyre, évoque l'Amour
23. Les offrandes oubliées: Les offrandes oubliees
24. Tanzsuite aus Klavierstücken von François Couperin, TrV 245: III. Carillon
25. Préludes, Book 1, L. 117 (Orch. P. Breiner): No. 2, Voiles
26. Siegfried Idyll, WWV 103
Through working with many of the leading orchestras and opera companies in Europe and beyond, Jun Märkl has established himself as a world-class conductor. Best known for his interpretations of the German repertoire, he also has a deep regard for the French impressionists. He has an extensive recording catalog and is, as of the mid-2020s, the chief conductor or music director of the Residentie Orchestra Den Haag, the Malaysian Philharmonic, the Taiwan Philharmonic, and the Indianapolis Symphony.
Märkl was born on February 11, 1959, in Munich. His father was a violinist, and his mother was a pianist. He took to music at an early age, studying both violin and piano. In 1978, he enrolled at the Hannover Musikhochschule, where he studied violin and piano, as well as conducting with Sergiu Celibidache. He then went on to study conducting with Gustav Meier at the University of Michigan. His first big break came in 1986 when he won the Deutsche Musikrat conducting competition. In 1987, he won a scholarship from the Boston Symphony Orchestra to Tanglewood, where he studied with Leonard Bernstein and Seiji Ozawa. Following several appearances in European opera houses, Märkl received his first music director appointment in 1991 with the Saarbrücken Staatstheater. After leaving Saarbrücken in 1994, he became the music director at Mannheim Nationaltheater, where he worked until 2000. Märkl made his Royal Opera House debut in 1996 with Wagner's Götterdämmerung, and in 1998, he made his Metropolitan Opera debut with Verdi's Il Trovatore. During this time, Märkl also became a regular guest at opera houses in Vienna, Berlin, Munich, and Dresden. He has conducted Wagner's complete Ring Cycle with the Deutsche Oper in Berlin and Tokyo's New National Theatre.
In 2005, Märkl became the music director of the Orchestre National de Lyon, where he went on to record the complete orchestral works of Debussy. He led the Orchestre National de Lyon on tours throughout Europe and Japan. He remained in this post until 2011. In 2007, while also leading Lyon, Märkl was named the principal conductor of the MDR Symphony Orchestra; he left this position in 2012. He then served as the principal conductor of the Basque National Orchestra from 2014 to 2017. With that group, he began a survey of Toshio Hosokawa's orchestral music in 2014. In 2019, Märkl released two albums on Naxos: the opera overtures of Albert Lortzing with the Malmö Opera Orchestra and the Saint-Saëns ballet, Ascanio with the Malmö Symphony Orchestra.
Märkl became the principal guest conductor of the Residentie Orchestra Den Haag in 2021 and was then named chief conductor in 2023, with the appointment to begin in 2025. He became the music director of the Malaysian Philharmonic in 2021, taking the same position with the Taiwan Philharmonic the following year. In 2024, he took up the music directorship of the Indianapolis Symphony. He has recorded more than 50 albums, primarily for the Naxos label. Besides his surveys of Debussy and Hosokawa, Märkl has also recorded the complete symphonies of Robert Schumann with the NHK Symphony. ~ Keith Finke
Märkl was born on February 11, 1959, in Munich. His father was a violinist, and his mother was a pianist. He took to music at an early age, studying both violin and piano. In 1978, he enrolled at the Hannover Musikhochschule, where he studied violin and piano, as well as conducting with Sergiu Celibidache. He then went on to study conducting with Gustav Meier at the University of Michigan. His first big break came in 1986 when he won the Deutsche Musikrat conducting competition. In 1987, he won a scholarship from the Boston Symphony Orchestra to Tanglewood, where he studied with Leonard Bernstein and Seiji Ozawa. Following several appearances in European opera houses, Märkl received his first music director appointment in 1991 with the Saarbrücken Staatstheater. After leaving Saarbrücken in 1994, he became the music director at Mannheim Nationaltheater, where he worked until 2000. Märkl made his Royal Opera House debut in 1996 with Wagner's Götterdämmerung, and in 1998, he made his Metropolitan Opera debut with Verdi's Il Trovatore. During this time, Märkl also became a regular guest at opera houses in Vienna, Berlin, Munich, and Dresden. He has conducted Wagner's complete Ring Cycle with the Deutsche Oper in Berlin and Tokyo's New National Theatre.
In 2005, Märkl became the music director of the Orchestre National de Lyon, where he went on to record the complete orchestral works of Debussy. He led the Orchestre National de Lyon on tours throughout Europe and Japan. He remained in this post until 2011. In 2007, while also leading Lyon, Märkl was named the principal conductor of the MDR Symphony Orchestra; he left this position in 2012. He then served as the principal conductor of the Basque National Orchestra from 2014 to 2017. With that group, he began a survey of Toshio Hosokawa's orchestral music in 2014. In 2019, Märkl released two albums on Naxos: the opera overtures of Albert Lortzing with the Malmö Opera Orchestra and the Saint-Saëns ballet, Ascanio with the Malmö Symphony Orchestra.
Märkl became the principal guest conductor of the Residentie Orchestra Den Haag in 2021 and was then named chief conductor in 2023, with the appointment to begin in 2025. He became the music director of the Malaysian Philharmonic in 2021, taking the same position with the Taiwan Philharmonic the following year. In 2024, he took up the music directorship of the Indianapolis Symphony. He has recorded more than 50 albums, primarily for the Naxos label. Besides his surveys of Debussy and Hosokawa, Märkl has also recorded the complete symphonies of Robert Schumann with the NHK Symphony. ~ Keith Finke