Golda Schultz, Antonello Manacorda, Kammerakademie Potsdam - Mozart, You Drive Me Crazy! (2024) [Hi-Res]

Tracklist

01. Don Giovanni, K.527, Act I: Quartetto. "Non ti fidar, o misera, di quel ribaldo cor!"
02. Don Giovanni, K.527, Act I: Recitativo accompagnato. "Don Ottavio, son morta!"
03. Don Giovanni, K.527, Act I: Aria. "Or sai chi l"onore"
04. Le nozze di Figaro, K.492, Act IV: Recitativo. "Giunse alfin il momento"
05. Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar"
06. Così fan tutte, K.588, Act I: Recitativo. "Temerari, sortite fuori di questo loco!"
07. Così fan tutte, K.588, Act I: Aria. "Come scoglio immoto resta"
08. Così fan tutte, K.588, Act II: Duetto. "Fra gli amplessi in pochi istanti"
09. Don Giovanni, K.527, Act II: Recitativo accompagnato. "In quali eccessi, o Numi"
10. Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata"
11. Le nozze di Figaro, K.492, Act III: Duettino. "Canzonetta sull aria"
12. Così fan tutte, K.588, Act I: Sextetto. "Alla bella Despinetta"
13. Le nozze di Figaro, K.492, Act III: Recitativo. "E Susanna non vien!"
14. Le nozze di Figaro, K.492, Act III: Aria. "Dove sono i bei momenti"
15. Così fan tutte, K.588, Act II: Recitativo. "Ei parte..senti..ah no!"
16. Così fan tutte, K.588, Act II: Rondo. "Per pietà, ben mio, perdona"
17. Le nozze di Figaro, K.492, Act IV: Finale. Scena ultima. "Gente gente, all"armi, all"armi!"



'Mozart, You Drive Me Crazy!' This is the title that the South African soprano Golda Schultz has decided to give to her new album, devoted to the female heroines of Don Giovanni, Cosi fan tutte and Le nozze di Figaro, roles that have marked her career from Berlin to The Metropolitan Opera: 'Why does Mozart drive me crazy? First of all, because his music, which sounds so easy when you listen to it, is extremely difficult to perform . . . And when I immerse myself in the world of Da Ponte and Mozart, I realise that there's a deep complexity to their female characters: they endure the toughest trials, but they also display great strength. In fact, these operas explore humanity from the feminine perspective: every single one of these women is constantly evolving. They show how human beings transcend trauma and how grief and pain can be overcome.' The programme is conducted by another eminent Mozartian, Antonello Manacorda, with the Kammerakademie Potsdam.

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