Sinfonia of London, John Wilson - Bacewicz, Enescu, Ysaÿe: Music for Strings (2024) [Hi-Res]

  • 10 Apr, 10:07
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Title: Bacewicz, Enescu, Ysaÿe: Music for Strings
Year Of Release: 2024
Label: Chandos
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
Total Time: 01:06:40
Total Size: 317 mb / 1.2 gb
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Tracklist

01. Octet, Op. 7: I. Très modéré
02. Octet, Op. 7: II. Très fougueux
03. Octet, Op. 7: III. Lentement
04. Octet, Op. 7: IV. Mouvement de Valse bien rythmée
05. Octet, Op. 7: Harmonies du soir, Op. 31
06. Concerto for String Orchestra: I. Allegro – L'istesso tempo
07. Concerto for String Orchestra: II. Andante
08. Concerto for String Orchestra: III. Vivo

For this their fourth album of music for string orchestra, John Wilson and Sinfonia of London present a programme of works by three composers from the Franco-Belgian school of string pedagogy, who were all themselves virtuosic string players. George Enescu studied in Paris and Vienna, spent much of his life in France, and was internationally lauded as a concert violinist and conductor in both Europe and America. Much of his music remained unknown after his death – a situation improved thanks to some high-profile champions of his work, not least his most famous pupil Yehudi Menuhin. When Enescu supplied a preface for a new edition of his Octet, in 1950, he sanctioned its performance by a full string orchestra, the form in which we hear it on this recording. Completed in 1924, Ysaÿe’s Harmonies du soir is scored for string quartet and string orchestra, enabling Ysaÿe to exploit the contrast between intimate and full string sound, a technique inspired by Vaughan Williams in his Fantasia on a Theme of Thomas Tallis. Affectionately known as the ‘First Lady of Polish Music’, Grażyna Bacewicz was an outstanding virtuoso violinist, a formidable pianist, and ground-breaking composer. A great deal of her output was written for strings, including the Concerto for String Orchestra, written in 1948. Often described as neoclassical, the work takes some inspiration from the baroque concerto grosso, but is distinctly modern in its harmonic language and was particularly admired by Lutosławski.


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