Isaiah Collier & The Chosen Few - The Almighty (2024) [Hi-Res]

  • 26 Apr, 06:36
  • change text size:

Artist:
Title: The Almighty
Year Of Release: 2024
Label: Division 81 Records
Genre: Jazz
Quality: FLAC (tracks) [44.1kHz/24bit]
Total Time: 1:03:50
Total Size: 756 / 434 MB
WebSite:

Tracklist:

1. LOVE (feat. Dee Alexander) (07:49)
2. Compassion (feat. Ari Brown) (07:18)
3. Perspective (Peace and Love) (07:00)
4. Duality Suite (I. Plus, II. Minus, III. Divine Masculine IV. Divine Feminine) (23:16)
5. The Almighty (18:27)

Personnel:

Isaiah Collier Sax, Vocals, Auxiliary Percussion
Michael Shekwoaga Ode Drums
Julian Davis Reid Piano
Jeremiah Hunt Bass

Isaiah Collier believes in music with a message. Not to mention drive and volume. On his first widely distributed release, the Chicago-based tenor saxophonist makes these intentions clear from the thunderous first track, "LOVE," with guest vocalist Dee Alexander singing, "Give me peace and joy and loving, harmonies and honesty/ I know we can move and love with our all, joining as one." Collier is clearly a huge blossoming talent and listening to his growth on The Almighty is a fascinating ride.

In "Compassion" he plays two slow, rich parts that are overdubbed into an intertwining duo. With Coltrane's A Love Supreme as the obvious model, Collier returns to direct messaging in "Perspective (Peace and Love)," where an unnamed chorus of voices chant "peace and love" throughout. The four-part "Duality Suite" begins with a snappy horn figure and features more skronking and shrieking from Collier as the pace and volume rise from the first notes.

The over-18-minutes-long title track opens with hollow wooden chimes, shakers and the sounds of a thunderstorm that give way to a solo from pianist Julian Davis Reid. Collier's quartet partners of Reid and bassist Jeremiah Hunt are both fine, muscular players, but overly-energetic drummer Michael Shekwoaga Ode's playing is often busy and loud, and could benefit from being lower in the mix. Recorded by Sizwe Banzi Butler, the mix is most often a cacophonous wall of sound. The full-bore volume and the relentless pace gives Collier free reign to play stridently throughout and the nuance-free bursts drop no hints as to what he would or could do with more contemplative music. But that's a question for the future. The Almighty is a big, bravura piece that hammers home positivity and is a forceful announcement that a mighty new saxophone talent is on the international scene. © Robert Baird