The WIG Society Chamber Music Ensemble - Galant Night Fever. Quartets, Trio and Duet for Flute, Strings and Basso (2024) [Hi-Res]
Artist: The WIG Society Chamber Music Ensemble
Title: Galant Night Fever. Quartets, Trio and Duet for Flute, Strings and Basso
Year Of Release: 2024
Label: Arcana
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:03:26
Total Size: 345 MB / 1.25 GB
WebSite: Album Preview
Tracklist:Title: Galant Night Fever. Quartets, Trio and Duet for Flute, Strings and Basso
Year Of Release: 2024
Label: Arcana
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:03:26
Total Size: 345 MB / 1.25 GB
WebSite: Album Preview
1. Quartetto in G Minor, Op. 4 No. 6: I. Allegro (5:26)
2. Quartetto in G Minor, Op. 4 No. 6: II. Gavotte (2:29)
3. Quartetto in B-Flat Major, Op. 2a No. 5: I. Allegro moderato (4:39)
4. Quartetto in B-Flat Major, Op. 2a No. 5: II. Presto (3:40)
5. Trio in A Major, Op. 6 No. 3, StWV. 186/3: I. Tempo giusto (4:39)
6. Trio in A Major, Op. 6 No. 3, StWV. 186/3: II. Presto (2:24)
7. Quartetto in G Major, Op. 5 No. 2, Hob. II:G4: I. Presto assai (2:33)
8. Quartetto in G Major, Op. 5 No. 2, Hob. II:G4: II. Menuetto (3:46)
9. Quartetto in G Major, Op. 5 No. 2, Hob. II:G4: III. Adagio sempre piano (5:01)
10. Quartetto in G Major, Op. 5 No. 2, Hob. II:G4: IV. Presto assai (1:55)
11. Duetto in D Major, Op. 18 No. 1: I. Adagio (1:03)
12. Duetto in D Major, Op. 18 No. 1: II. Allegro (5:28)
13. Duetto in D Major, Op. 18 No. 1: III. Thema con variazione. Andante (8:31)
14. Quartetto in E Minor, Op. 10 No. 6: I. Allegro moderato (3:18)
15. Quartetto in E Minor, Op. 10 No. 6: II. Adagio (2:01)
16. Quartetto in E Minor, Op. 10 No. 6: III. Tempo primo (3:11)
17. Quartetto in E Minor, Op. 10 No. 6: IV. Allegro (3:28)
Born in Brussels in 2020, The WIG Society (TWS) has rapidly grown into one of the most exciting musical ensembles on the European Early Music scene. As a rising ensemble within the EEEmerging+ programme, TWS hasdeveloped an original approach to the chamber music of the galant and classical period. Their playing highlights the lavish, extravagant, and witty elements of a repertoire principally designed to entertain an aristocratic society on the decline. Theyre-imaginerococoballrooms and salons as contemporary dance floors, Haydn as theBeyonce of the 1770s. Their sound is rich and nuanced in depth thanks to the employment of both the harpsichord and the double-bass, instead of the traditional cello. Alongside works by celebrated composers, TWS proposes some world premiere recordings of neglected composers from the Mannheim School and beyond.