Claudio Ronco and Emanuela Vozza - Cello virtuosi in France 1730-1790 (2024)
Artist: Claudio Ronco, Emanuela Vozza
Title: Cello Viruosi in France 1730-1790 - Sonatas and Duos For Two Cellos
Year Of Release: 2024
Label: Urania Records
Genre: Classical
Quality: FLAC (tracks)
Total Time: 3:57:01
Total Size: 1.07 GB
WebSite: Album Preview
Tracklist:Title: Cello Viruosi in France 1730-1790 - Sonatas and Duos For Two Cellos
Year Of Release: 2024
Label: Urania Records
Genre: Classical
Quality: FLAC (tracks)
Total Time: 3:57:01
Total Size: 1.07 GB
WebSite: Album Preview
1. Les Sauvages (02:37)
2. Amoroso de Bertau in D major (02:23)
3. “Air Gratieux de Bertau” in D major (01:21)
4. “Menuet Gratieux de Bertau” in D majorv (01:11)
5. “Air Gay de Bertau” in D major (00:46)
6. “Largo de Bertau” in G major (01:28)
7. Air Gay de Cupis” in C major (00:46)
8. “Menuet de Bertau” in C major (01:15)
9. “Air de Cupis” in F major (00:58)
10. “Amoroso de Bertau” in F major (01:25)
11. 11 “Menuet de Cupis” in D major (01:49)
12. “Air Gratieux de Bertau” in D major (01:36)
13. “Air Gay de Cupis” in D major (01:35)
14. Sonata Op. XXVI No. 5 in G Minor I. “Allegro Allemanda” (02:33)
15. Sonata Op. XXVI No. 5 in G Minor II. “Aria Affettuoso” (02:20)
16. Sonata Op. XXVI No. 5 in G Minor III. “Adagio” (00:48)
17. Sonata Op. XXVI No. 5 in G Minor IV. “Giga Staccatto [sic]” (01:44)
18. Sonata (Op. IX) n.1, in F major I. “Entrée” (04:04)
19. Sonata (Op. IX) n.1, in F major II. “Allegro” (01:52)
20. Sonata (Op. IX) n.1, in F major III. “Aria” (02:04)
21. Sonata (Op. IX) n.1, in F major IV. “Allegretto, e tempo giusto”v (01:11)
22. Sonata Op.II n.1, in C major I. “Allegro” (01:14)
23. Sonata Op.II n.1, in C major II. “Adagio Gratioso" (03:02)
24. Sonata Op.II n.1, in C major III. “Menuet I e II” (03:24)
25. Sonata Op.II n.1, in C major IV. “Allegro non troppo” (01:56)
26. Sonata Op.I n.3, in E major I. “Adagio” (02:01)
27. Sonata Op.I n.3, in E major II. “Allegro” (01:59)
28. Sonata Op.I n.3, in E major III. “Adagio” (03:17)
29. Sonata Op.I n.3, in E major IV. “Aria Gratioso” (02:34)
30. Sonata (Op.IX) n.3, in G major I. “Allegro” (01:44)
31. Sonata (Op.IX) n.3, in G major II. “Musette I et II (doucement)– Alternativement" (03:59)
32. Sonata (Op.IX) n.3, in G major III. “Io Pourlesgue [sic] Presto Alternativement – IIo Pourlesg” (02:07)
33. Sonata (Op.IX) n.3, in G major IV. “Ier Menuet – IIe Menuet” (03:02)
34. Sonata (Op.IX) n.3, in G major V. “Gigue Presto” (01:13)
35. Sonata Op.II n.3, in A minor I. “Gratioso [I]” (04:14)
36. Sonata Op.II n.3, in A minor II. “Prestitissimo [sic]” (02:00)
37. Sonata Op.II n.3, in A minor III. “Gratioso [II]” (02:51)
38. Sonata Op.II n.3, in A minor IV. “Minuetto I – Minuetto II” (02:37)
39. Sonata Op.I n.5, in F major I. “Andante poco All.o” (03:51)
40. Sonata Op.I n.5, in F major II. “Andante Gratioso” (02:07)
41. Sonata Op.I n.5, in F major III. “Fanfare Rondeau” (02:43)
42. Sonata Op.II n.5, in D major I. “Andantino” (01:35)
43. Sonata Op.II n.5, in D major II. “Prestissimo” (00:52)
44. Sonata Op.II n.5, in D major III. “All.o – Gavotte I e II” (01:54)
45. Sonata Op.II n.5, in D major IV. “Aria, Gratioso” (02:38)
46. Sonata Op.II n.1, in G major I. “Allegro” (02:14)
47. Sonata Op.II n.1, in G major II. “Aria, Gracioso" (04:00)
48. Sonata Op.II n.1, in G major III. “Rondeau, Allegretto” (03:37)
49. Sonata Op. I n.2, in G minor I. “Andante” (04:05)
50. Sonata Op. I n.2, in G minor II. “Allegro Allemanda” (02:37)
51. Sonata Op. I n.2, in G minor III. “Adagio” (04:03)
52. Sonata Op. I n.2, in G minor IV. “Aria Gratios - Altro” (03:56)
53. Sonata Op.I n.4, in C major I. “Andante” (02:46)
54. Sonata Op.I n.4, in C major II. “Allegro” (01:24)
55. Sonata Op.I n.4, in C major III. “Gratioso. Aria” (02:06)
56. Sonata Op.I n.4, in C major IV. “Minuetto Variatio.” [with 6 variations] (02:26)
57. Sonata n.2, in G major I. “Allegro moderato” (04:16)
58. Sonata n.2, in G major II. “Andante” (02:01)
59. Sonata n.2, in G major III. “Presto” (02:02)
60. Sonata Op.IV n.4, in D major I. “Allegro gratioso” (03:08)
61. Sonata Op.IV n.4, in D major II. “Amoroso” (03:26)
62. Sonata Op.IV n.4, in D major III. “Presto” (02:08)
63. “Allegro assai” in F minor “Allegro assai” in F minor (02:29)
64. Sonata Op.II n.1, in G major I. “Allegro” (03:29)
65. Sonata Op.II n.1, in G major II. “Andante Grazioso” (03:00)
66. Sonata Op.II n.1, in G major III. “La Caccia, Allegro – Minuetto Grazioso” (04:07)
67. Sonata Op.II n.5, E flat major I. “Allegro Comodo" (07:14)
68. Sonata Op.II n.5, E flat major II. “Andante Espreßivo” (03:26)
69. Sonata Op.II n.5, E flat major III. “Giga. Presto Aßai” (03:29)
70. Pièces de Lanchetty “Largo ma non tanto” in C major (02:33)
71. Recueil d’Airs “Air Gay de Bertau” in F major (00:42)
72. Sonata Op.XII n.3, in G minor I. “Allegro” (04:19)
73. Sonata Op.XII n.3, in G minor II. “Siciliana” (02:07)
74. Sonata Op.XII n.3, in G minor III. “Presto” (04:01)
75. Sonata Op.XXVIII n.4, in G major I. “Allegro” (02:40)
76. Sonata Op.XXVIII n.4, in G major II. “Tempo di Minuetto Grave” (03:40)
77. Sonata Op.XXVIII n.1, in D major I. “Allegro” (04:02)
78. Sonata Op.XXVIII n.1, in D major II. “Rondo” (03:19)
79. Sonata Op.XXVIII n.5, in B flat major I. “Allegro Moderato” (02:35)
80. Sonata Op.XXVIII n.5, in B flat major II. “Adagio” (04:01)
81. Sonata Op.XXVIII n.5, in B flat major III. “Rondo” (01:57)
82. Sonata Op.XXVIII n.6, in F major I. “Allegro” (03:05)
83. Sonata Op.XXVIII n.6, in F major II. “Adagio” (02:43)
84. Sonata Op.XXVIII n.6, in F major III. “Presto” (02:18)
85. Sonata Op.XII n.5, in D major I. “Brillante” (03:20)
86. Sonata Op.XII n.5, in D major II. “Adagio” (02:51)
87. Sonata Op.XII n.5, in D major III. “Rondo” (04:14)
88. Sonata Op.II n.6, in A major I. “Allegro" (03:53)
89. Sonata Op.II n.6, in A major II. “Andante Aßai” (03:49)
90. Sonata Op.II n.6, in A major III. “Presto” (02:42)
The twelfth title in Urania's series entirely dedicated to the solo cello in the Eighteenth century, combined with the precedents of the sonatas by Lanzetti, Janson, Duport and Spourni. This collection investigates the fascinating path of the Neapolitan cello school in France and, in parallel, the developments of the musical styles towards the birth of new European music in Classicism. From the bewitching, hypnotic atmospheres of the French Arias to the lively theatricality of the Italian musical imagination, throughout the sixty years preceding the Revolution the cello was certainly one of the most authentic protagonists.