Muggsy Spanier - The Chronological Classics: 1949-1954 (2005)

05 Jun, 22:07
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Artist: Muggsy Spanier
Title: The Chronological Classics: 1949-1954
Year Of Release: 2005
Label: Classics [1405]
Genre: Jazz, Dixieland
Quality: FLAC (tracks + .cue,log,scans)
Total Time: 68:55
Total Size: 272 MB(+3%)
WebSite: Album Preview

Tracklist

01. A Good Man Is Hard to Find (2:56)
02. Washington and Lee Swing (2:57)
03. Dixie Flyer (2:52)
04. Lazy Piano Man (2:43)
05. Sweet Georgia Brown (3:00)
06. Feather Brain (2:54)
07. Home (3:03)
08. It's a Long, Long Way to Tipperary (2:49)
09. Caution Blues (3:03)
10. Alabama Jubilee (2:55)
11. Moonglow (2:46)
12. Sunday (3:14)
13. Blue Room (3:06)
14. Tiger Rag (2:42)
15. South (2:30)
16. When My Dream Boat Comes Home (2:12)
17. Careless Love (10:38)
18. Judy (3:29)
19. Oh, Doctor Ochsner! (2:31)
20. Washington and Lee Swing (3:18)
21. My Wild Irish Rose (3:17)

About two-and-a-half years transpired between Muggsy Spanier's September 1946 session for the Disc label (see Classics 967, Muggsy Spanier 1944-1946) and the Jazz Limited recording date of February 1949, which resulted in the two tracks that open this fourth volume in the Classics Muggsy Spanier chronology. Based in Chicago, the small-time Jazz Limited record label was an offshoot of Jazz Ltd., a Windy City Dixieland club at 11 East Grand Avenue run by cute little Ruth Reinhardt and her husband, Bill, who can be heard blowing his clarinet on these first two selections. Muggsy Spanier & the Dixieland Band recorded on four separate occasions for the Mercury label in Chicago between March 1950 and May 1952; the first of these groups (tracks three through six) had perhaps the most intriguing lineup in George Brunies, Darnell Howard, Floyd Bean, Truck Parham, and Big Sid Catlett, who was destined to die of a backstage heart attack almost exactly one year later. Aside from the session of August 29, 1951, during which an oddly tense Buddy Charles sings "Moonglow" and "Sunday" with a bit too much vibrato, these sorts of good-time old-fashioned blowing sessions were typical of Spanier's recorded output throughout the years. At the beginning of September 1954 Spanier, who had switched to the trumpet in 1950, was recording for Decca using the old cornet and billing his group as a "Jazz" rather than "Dixieland" band. These recordings, particularly the slower-paced numbers like Hoagy Carmichael's "Judy" and a ten-and-a-half-minute take of "Careless Love," are elegant and majestic in ways that bear comparison with Spanier's best recordings.

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