Antal Doráti - Antal Doráti - Tchaikovsky & Stravinsky (2024)

  • 18 Jun, 06:06
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Artist:
Title: Antal Doráti - Tchaikovsky & Stravinsky
Year Of Release: 2024
Label: UMG Recordings, Inc.
Genre: Classical
Quality: FLAC (tracks)
Total Time: 4:17:24
Total Size: 1.16 GB
WebSite:

Tracklist:

1. Detroit Symphony Orchestra – Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 1. Introduction (03:39)
2. Detroit Symphony Orchestra – Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 2. The Harbingers of Spring, Dance of the Adolescents (03:06)
3. Detroit Symphony Orchestra – Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 3. Mock Abduction (01:27)
4. Detroit Symphony Orchestra – Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 4. Spring Rounds (03:34)
5. Detroit Symphony Orchestra – Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 5. Games of the Rival Tribes (01:52)
6. Detroit Symphony Orchestra – Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 6. Procession of the Sage - The Sage (01:05)
7. Detroit Symphony Orchestra – Le Sacre du Printemps / Pt 1: L'Adoration de la Terre: 7. Dance of the Earth (01:08)
8. Detroit Symphony Orchestra – Le Sacre du Printemps / Pt 2: Le Sacrifice: 1. Introduction. Largo (03:58)
9. Detroit Symphony Orchestra – Le Sacre du Printemps / Pt 2: Le Sacrifice: 2. Mystical Circles of the Young Girls (03:04)
10. Detroit Symphony Orchestra – Le Sacre du Printemps / Pt 2: Le Sacrifice: 3. Glorification of the Chosen Victim (01:40)
11. Detroit Symphony Orchestra – Le Sacre du Printemps / Pt 2: Le Sacrifice: 4. Summoning of the Elders (00:51)
12. Detroit Symphony Orchestra – Le Sacre du Printemps / Pt 2: Le Sacrifice: 5. Ritual of the Elders (03:30)
13. Detroit Symphony Orchestra – Le Sacre du Printemps / Pt 2: Le Sacrifice: 6. Sacrificial Dance (04:38)
14. Minnesota Orchestra – Swan Lake, Op. 20, TH 12: Introduction (02:56)
15. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 1, Scène. Allegro giusto (02:52)
16. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 2, Valse. Corps de Ballet (05:19)
17. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 3, Scène. Allegro moderato (03:49)
18. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 4a, Pas de trois: Intrada. Allegro (02:22)
19. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 4b, Pas de trois: Andante sostenuto (02:43)
20. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 4c, Pas de trois: Allegro semplice (01:15)
21. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 4d, Pas de trois: Moderato (01:16)
22. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 4e, Pas de trois: Allegro (00:55)
23. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 4f, Pas de trois: Coda. Allegro vivace (01:38)
24. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 5a, Pas de deux: Intrada - Valse (01:36)
25. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 5b, Pas de deux: Andante (03:59)
26. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 5c, Pas de deux: Valse (01:34)
27. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 5d, Pas de deux: Coda. Allegro molto vivace (01:53)
28. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 6, Pas d'action. Andantino quasi moderato - Allegro (02:07)
29. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 7, Sujet (00:31)
30. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 8, Danse des coupes. Tempo di polacca (04:41)
31. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act I: No. 9, Finale. Andante (02:38)
32. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act II: No. 10, Scène. Moderato (02:26)
33. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act II: No. 11, Scène. Allegro moderato (04:48)
34. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act II: No. 12, Scène. Allegro (03:11)
35. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act II: No. 13a, Danse des cygnes: Valse (02:33)
36. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act II: No. 13b, Danse des cygnes: Odette Solo. Moderato assai (01:33)
37. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act II: No. 13c, Danse des cygnes: Valse (01:54)
38. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act II: No. 13d, Danse des petits cygnes. Allegro moderato (01:22)
39. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act II: No. 13e, Danse des cygnes: Pas d'action: Odette et le prince. Andante (06:30)
40. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act II: No. 13f, Danse des cygnes: Danse générale (01:51)
41. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act II: No. 13g, Danse des cygnes: Coda. Allegro vivace (01:12)
42. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act II: No. 14, Scène. Moderato (02:38)
43. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 15, Danse de fançailles. Allegro giusto (02:34)
44. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 16, Danses du corps de ballet et des nains. Moderato assai (01:56)
45. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 17, Scène: Entrée des invités et la valse (06:05)
46. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 18, Scène. Allegro (01:34)
47. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 19a, Pas de six: Intrada. Moderato assai (01:48)
48. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 19b, Pas de six: Variation I (01:03)
49. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 19c, Pas de six: Variation II (02:18)
50. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 19d, Pas de six: Variation III (00:45)
51. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 19e, Pas de six: Variation IV (00:56)
52. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 19f, Pas de six: Variation V (01:16)
53. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 19g, Pas de six: Coda (01:45)
54. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 20, Danse hongroise. Czárdás (02:37)
55. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 21, Danse espagnole. Allegro non troppo, tempo di bolero (02:48)
56. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 22a, Danse napolitaine (01:49)
57. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 22b, Danse russe. Moderato (04:23)
58. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 23, Mazurka (03:21)
59. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act III: No. 24, Scène. Allegro - Valse - Allegro vivo (03:16)
60. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act IV: No. 25, Entr'acte. Moderato (01:54)
61. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act IV: No. 26, Scène. Allegro non troppo (01:50)
62. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act IV: No. 27, Danses des petits cygnes. Moderato (05:11)
63. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act IV: No. 28, Scène. Allegro agitato (02:57)
64. Minnesota Orchestra – Swan Lake, Op. 20, TH 12, Act IV: No. 29, Scène finale. Andante (06:27)
65. London Symphony Orchestra – 4 Etudes for Orchestra: Danse (00:52)
66. London Symphony Orchestra – 4 Etudes for Orchestra: Excentrique (02:03)
67. London Symphony Orchestra – 4 Etudes for Orchestra: Cantique (03:45)
68. London Symphony Orchestra – 4 Etudes for Orchestra: Madrid (02:38)
69. London Symphony Orchestra – Symphony No. 1 in G Minor, Op. 13, TH.24 - "Winter Reveries": 1. Allegro tranquillo (10:18)
70. London Symphony Orchestra – Symphony No. 1 in G Minor, Op. 13, TH.24 - "Winter Reveries": 2. Adagio cantabile ma non tanto (09:48)
71. London Symphony Orchestra – Symphony No. 1 in G Minor, Op. 13, TH.24 - "Winter Reveries": 3. Scherzo (Allegro scherzando giocoso) (09:44)
72. London Symphony Orchestra – Symphony No. 1 in G Minor, Op. 13, TH.24 - "Winter Reveries": 4. Finale (Andante lugubre - Allegro maestoso) (14:23)
73. London Symphony Orchestra – Symphony No. 2 in C Minor, Op. 17, TH.25 - "Little Russian": 1. Andante sostenuto - Allegro vivo (10:54)
74. London Symphony Orchestra – Symphony No. 2 in C Minor, Op. 17, TH.25 - "Little Russian": 2. Andantino marziale, quasi moderato (07:17)
75. London Symphony Orchestra – Symphony No. 2 in C Minor, Op. 17, TH.25 - "Little Russian": 3. Scherzo. Allegro molto vivace - Trio. L'istesso tempo (05:15)
76. London Symphony Orchestra – Symphony No. 2 in C Minor, Op. 17, TH.25 - "Little Russian": 4. Finale. Moderato assai - Allegro vivo - Presto (09:57)
77. London Symphony Orchestra – Scherzo à la Russe (03:49)

Conductor Antal Dorati was known for his crisp, rhythmically alert performances and as a highly respected ensemble builder. Both of Dorati's parents were professional musicians, and he learned to play the cello as a child. He also began composition lessons with Leó Weiner when he was just 12, completing three youthful operas before entering the National Hungarian Royal Academy of Music at 14. There, he continued to take composition with Weiner, but also from Zoltán Kodály, and piano with Béla Bartók. The works of the two latter men would become specialties in his conducting career. His first professional position, just after graduating in 1924, was as répétiteur at the Budapest Royal Opera House, where he soon conducted, as well. In 1928, he went to the Dresden Opera to be assistant to Fritz Busch for a year, then was appointed music director in Münster, where he stayed until 1933. Dorati then joined the conducting staff of the Ballets Russes de Monte Carlo. During the 1930s, in addition to his Ballet Russes position, Dorati began guest-conducting in Europe and America. Named music director of the American Ballet Theater in 1941, this was his first opportunity to demonstrate his ability to build an orchestra, quickly establishing a professional ensemble. He did the same to revitalize the Dallas Symphony Orchestra during his 1945-1949 tenure. In 1947 Dorati became an American citizen. Each of his appointments was marked by special achievements for the conductor and orchestra together. With the Minneapolis Symphony Orchestra (1949-1960), he made a number of well-regarded Mercury Living Presence recordings. When he left the BBC Symphony Orchestra in 1963 after four years, he was honored with a concert of his compositions. He then took over the Stockholm Philharmonic (1966-1970). With the National Symphony Orchestra (1970-1977) and the Detroit Symphony Orchestra he helped inaugurate new and renovated concert spaces, respectively. In addition, he continued to guest conduct and form close relationships with other orchestras, taking a particular interest in the refugee orchestra, the Philharmonia Hungarica. He eventually recorded all of Haydn's symphonies with that ensemble, and also recorded eight of Haydn's operas with the Lausanne Chamber Orchestra. Dorati's nearly 600 recordings and his skills brought him many prizes and honors over the years. When he retired, he was able to turn to other creative outlets, such as writing, drawing, and painting. © Patsy Morita