Raffaele Trevisani & Paola Girardi - Reinecke, Franck, Schumann: Chamber Music for Flute and Piano (2017)

  • 02 Jul, 11:20
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Artist:
Title: Reinecke, Franck, Schumann: Chamber Music for Flute and Piano
Year Of Release: 2017
Label: Da Vinci Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 1:04:03
Total Size: 260 MB
WebSite:

Tracklist:

1. Raffaele Trevisani & Paola Girardi – Sonata Undine in E Minor, Op. 167: I. Allegro (07:23)
2. Raffaele Trevisani & Paola Girardi – Sonata Undine in E Minor, Op. 167: II. Intermezzo. Allegretto vivace (04:05)
3. Raffaele Trevisani & Paola Girardi – Sonata Undine in E Minor, Op. 167: III. Andante tranquillo (04:17)
4. Raffaele Trevisani & Paola Girardi – Sonata Undine in E Minor, Op. 167: IV. Finale. Allegro molto agitato ed appassionato, quasi presto. (07:00)
5. Raffaele Trevisani & Paola Girardi – Drei Romanzen, Op. 94 (Arr. for Flute and Piano): No. 1, Nicht schnell (03:15)
6. Raffaele Trevisani & Paola Girardi – Drei Romanzen, Op. 94 (Arr. for Flute and Piano): No. 2, Einfach, innig (03:46)
7. Raffaele Trevisani & Paola Girardi – Drei Romanzen, Op. 94 (Arr. for Flute and Piano): No. 3, Nicht schnell (04:26)
8. Raffaele Trevisani & Paola Girardi – Violin Sonata in A Major, FWV 8 (Arr. for Flute and Piano): I. Allegretto ben moderato (06:16)
9. Raffaele Trevisani & Paola Girardi – Violin Sonata in A Major, FWV 8 (Arr. for Flute and Piano): II. Allegro (08:55)
10. Raffaele Trevisani & Paola Girardi – Violin Sonata in A Major, FWV 8 (Arr. for Flute and Piano): III. Recitativo-Fantasia. Ben moderato (07:54)
11. Raffaele Trevisani & Paola Girardi – Violin Sonata in A Major, FWV 8 (Arr. for Flute and Piano): IV. Allegretto poco mosso (06:40)

The collective imagination of Romanticism still has today an artistic and musical perspective whose core is the continuous struggle between the sublime, inexpressible in words, and the transcendental, therefore tangibly inexpressible. An opposition dating back to the 12th century Sturm und Drang: the tension to everything that cannot have verbal expression and that only in the art of sounds can be fully satisfied. It originated the typical German Sehnsucht partly affecting the whole eighteenth century aesthetic. […]